ALWAYS IN FASHION: GLOVES

I have been thinking about this post for quite awhile and was excited to see such an abundance of gloves in the Spring 2020 Haute Couture Collections. I particularly love the play of color.Gloves… Always Classic, Always New

Gloves Randolph Street Market
Gloves Randolph Street Market
Gloves Randolph Street Market
Gloves Randolph Street Market
Gloves Randolph Street Market

Historical gloves…

Gloves Randolph Street Market

Tudor glove…

Gloves Randolph Street Market

From 1600’s V & A collection

18th Century gloves…

Gloves Randolph Street Market

Wooden glove molds are very collectible…perhaps you will find one at Randolph Street Market could be a fun collection.

Gloves Randolph Street Market
Gloves Randolph Street Market
Gloves Randolph Street Market

When I started my career in retail all ladies wore hats and gloves and, I must admit, I still like the finished look a glove gives to an outfit. Of course, in Chicago, we need them for warmth and why not have a fun color, pattern, embellishment or a fingerless pair to allow for texting!

Gloves Randolph Street Market
Gloves Randolph Street Market
Gloves Randolph Street Market
Gloves Randolph Street Market

The fashionable ladies of Downton Abbey…

Gloves Randolph Street Market
Gloves Randolph Street Market

Elsa Schiaparelli’s whimsical surreal gloves, way too much fun, don’t you agree!

Gloves Randolph Street Market
Gloves Randolph Street Market
Gloves Randolph Street Market

And inspired by Schiaparelli, designed by Salvador Dali and photographed by Cecil Beaton for Vogue

Gloves Randolph Street Market

Glove purses by Hannah Lamb

Gloves Randolph Street Market

Or perhaps a hat or two…

Gloves Randolph Street Market
Gloves Randolph Street Market

From the brilliant Rei Kawakubo for Comme Des Garçons

Gloves Randolph Street Market
Gloves Randolph Street Market

Or…

Gloves Randolph Street Market

Or make your own…

Gloves Randolph Street Market

Let’s travel to the 1970’s and, the doyenne of American Fashion, Bonnie Cashin’s revolutionary gloves…

“It was Cashin’s sixth decade in design. As she entered the 1970s, and her seventies, Cashin was something of a grande dame and the last of an old guard. Referred to as the country’s “longest blooming perennial designer,” … Cashin continued to be a top choice for companies in need of a revitalized image. The plea from Crescendoe-Superb, then the country’s oldest-running glove manufacturer still operated by its founding family, was among the most memorable for its lack of pretense. “We think our gloves are very bad and corny,” wrote the company’s owner, asking Cashin, “would you undertake designing your beautiful concept of what these … [designs] should look like, instead of our bad ones?” When the collection launched in 1972, the company wrote of her designs in twenty-two-inch-long lime suede (for layering as sleeves under ponchos) and grommet-knuckled kidskin (for fending off a purse snatcher), “these are the most expensive and beautiful line of gloves ever designed.”

Copy and following three photos courtesy of my friend, Dr. Stephanie Lake, Owner, The Bonnie Cashin Archive.

Gloves Randolph Street Market
Gloves Randolph Street Market
Gloves Randolph Street Market

Also from the Bonnie Cashin Archives and in Bonnie’s own handwriting, courtesy of Dr. Stephanie Lake.

Gloves Randolph Street Market

Michael Jackson’s iconic glove

Gloves Randolph Street Market

Karl Lagerfeld in signature mitts…

Gloves Randolph Street Market

Two of the most iconic gloves on film on two super stars of the silver screen…


Rita Hayward’s “strip tease” in Gilda! Fabulous….

Gloves Randolph Street Market

And the delicious Marilyn Monroe performing “Diamonds Are A Girl’s Best Friend” in Gentlemen Prefer Blonds!

Gloves Randolph Street Market

And on the covers of magazines…

Gloves Randolph Street Market

A “pair” of books on gloves…

Gloves Randolph Street Market
Gloves Randolph Street Market

And a “bouquet” of gloves…

Gloves Randolph Street Market

All photos, unless otherwise noted, from Pinterest photo credits unknown. Reprinted with permission from Randolph Street Market Blog, January 2020. FASHION TREND REPORT EXCLUSIVELY FOR RANDOLPH STREET MARKET BY NENA IVON, nenasnotes

THURSDAY MUSINGS: DANCE FOR LIFE 2020: UNITED AS ONE

I usually don’t do prepared press releases for my blog posts but am so excited to share Dance for Life 2020: United as One with you I am bending my own rule. I have been a lifelong lover and supporter of dance, this love affair began sitting on my Daddy’s lap and being mesmerized by The Ballet Russe de Monte-Carlo. I have supported the incredible annual Dance for Life performances since they began and have seen the loyal audiences grow each year. Since we are in an unprecedented time, this year, it’s 29th anniversary, it will be a series of digital events with a spectacular World Premiere digital finale. Each day will highlight encore performances featuring the best of Chicago current and past dance companies. What a treat to be able to recapture the 29 years of DFL and see all the talent, drama and beauty of dance in Chicago. This amazing community of dancers are sharing past performances with us from August 10th through 14th and ending with a unique World Premiere on Saturday, August 15th which would have been this years live Dance for Life. Chicago loves its dance and dancers, I encourage you to support them by donating (information at the bottom of this post). Sit back with your beverage of choice and a selection of appropriate snacks and enjoy six days of once in a lifetime performances, we all are in for very special treats! I can hear the applause from here!

Here is the press release giving you ALL the details…..

Hosts for the August 15th finale World Premiere, Cortney Hall and Matthew Rodrigues, co-hosts of NBC Chicago’s program Chicago Today.

Chicago Dancers United (CDU) has finalized details for the finale of Dance for Life 2020: United as One, a digital event taking place August 10–15 through CDU’s website, chicagodancersunited.org. Dance for Life 2020: United as One is presented in partnership with Optum.

The culminating virtual event, which begins at 6:30 p.m. on Saturday, August 15—the original date for the 29th anniversary of Dance for Life scheduled at the Auditorium Theatre—features a World Premiere choreographed by Hanna Brictson in response to COVID-19, performed by dancers from throughout the Chicago area. Serving as hosts for the evening are Cortney Hall and Matthew Rodrigues, co-hosts of NBC Chicago’s program Chicago Today. The finale event also features a Dance for Life highlights reel, remarks by a representative from Optum, details about resources available from The Dancers’ Fund, information about the 30th anniversary of Dance for Life in 2021, and more. Donors of $20 or more receive a link to “attend” this finale celebrationsEach day from August 10 through 14, CDU will highlight several videos of DFL performances from the past 29 years. Although these videos will be available at no charge, dance supporters and enthusiasts who donate $20 or more will receive a daily email with links to the videos, along with background on the works themselves. Videos will remain available on the CDU website and social media pages for a limited time. The lineup is as follows:

Partner Companies
Giordano Dance Chicago: Tossed Around choreographed by Ray Mercer, DFL 2018
Hubbard Street Dance Chicago: The 40s choreographed by Lou Conte, DFL 2018
The Joffrey Ballet: Round of Angels choreographed by Gerald Arpino, DFL 2016Current and past companies
Hanna Brictson and Dancers: My Darling choreographed by Hanna Brictson, DFL 2018
Chicago Dance Crash: Freshly Served choreographed by Jessica Deahr, DFL 2018
Ensemble Español Spanish Dance Theater: Bolero choreographed by Dame Libby Komaiko, DFL 2010
Joseph Holmes Chicago Dance Theatre: Oh, Mary Don’t You Weep choreographed by Joseph Holmes, DFL 1992
Luna Negra Dance Theater: Bate (excerpt) choreographed by Fernando Melo, DFL 2012
Muntu Dance Theatre: Djon Don Wolosodon choreographed by Marie Basse-Wiles, DFL 1995
River North Dance Chicago: Eva (excerpts) choreographed by Frank Chaves, DFL 2014
Thodos Dance Chicago: Getting There choreographed by Melissa Thodos, DFL 2013
Trinity Irish Dance Company: Curran Event choreographed by Sean Curran, DFL 2001
Visceral Dance Chicago: Impetere choreographed by Nick Pupillo, DFL 2014Past DFL finales
I’ve Got A Life choreographed by Harrison McEldowney and Jeremy Plummer, DFL 2010
Stand by Me choreographed by Randy Duncan, DFL 2015

Dance for Life brings Chicago’s dance community together thanks to dancers who generously donate their time, energy, and artistry to support The Dancers’ Fund, which provides financial assistance to dance company professionals diagnosed with a critical health need. The Fund has been temporarily expanded to help support dance community members who need financial assistance with routine medical expenses due to the pandemic. Dance for Life also supports two partner agencies: AIDS Foundation Chicago, which mobilizes diverse communities across Illinois living with HIV, and the American Cancer Society, which is leading the fight for a world without cancer.Dance for Life 2020: United as One takes place August 10–15. Donations of $20 or more provide exclusive access
to the finale event on August 15.

All programming is subject to change.
All events are available atchicagodancersunited.org.###
Photos top to bottom:
Cortney Hall and Matthew Rodrigues of Chicago Today, courtesy of NBC Chicago.

Hanna Brictson and Dancers: My Darling by Todd Rosenberg.
The Joffrey Ballet: Round of Angels by Herb Migdoll.
Trinity Irish Dance Company: Curran Event by C. Hoy Photography.
Luna Negra Dance Theater: Bate by Cheryl Mann.

Copyright © 2020 Chicago Dancers United, All rights reserved.
You are receiving this information due to your past interest in Chicago Dancers United, Dance for Life and/or arts-related activities in the Chicago area. If you no longer wish to receive this information, please unsubscribe. Thank you!

COLLECTIONS: LADY HEAD VASES

I have been wanting to do a post on lady head vases since I started my articles for The Randolph Street Market Blog, I got a bit of a “let’s do it now” push when I saw the following photo posted by my friend Toni Canada, when I asked if I could use it she informed that her mother-in-law collected them and sent me an additional photo along with the note I’m sharing with you…..it is an absolutely fabulous collection!

“The collection of Marguriete Canada handed down to her son Rick Canada. Rick is now the “caretaker” of the collection.

My mother-in-law would put little notes inside each vase, where she aquired the vase; if she purchased it, how much she paid for it; if it was a gift, who she received it from….. very sweet 💗”. A Nena’s note…what an excellent idea let’s all start doing that with our collections, brilliant!

Thank you so much Toni for sharing these treasures, the photos and your beautiful note, with us.

I became enamoured with lady head vases as a little girl. Looking at me today you wouldn’t think I was very sick as a child, but I was (we won’t go into details here!). With each bout of something or another my wonderful Daddy would bring me a lady head vase filled with 13 sweetheart roses (I believe now referred to as growers roses). He got off the El at Howard Street, we lived in Rogers Park on the Northside of Chicago, there was a florist underneath the station. Actually the vases began by being commissioned by florists to sell with their bouquets. I probably believed they were made especially for me…I’ve always been a romantic. I amassed a huge collection and totally adored them. They, I am sure, helped develop my interest in the glamorous world, to my young eyes, of fashion!!

These charmers were always very proper in their attire, hats…of course…pearls…usually…gloves…sometimes and always, always beautifully made up with lush mascared lashes and ruby lips….I was in fashion heaven. Theses were two of my favorites….want to find them again. Both are signed pieces and from Betty Lou Nichols.

In doing a bit of research for this post I found out the origins of these nostalgic pieces that occupied a place in time in the mid-20th Century, they, (like so many other objects) fell out of favor, they are now highly collectible.

There were several manufactures who produced these lovelies in the 40s to 70s. Here are some company names that can help you identify your vase: US manufacturers – Betty Lou Nichols and Henry Holt and Japan manufacturers – Napco, Inarco, Lefton, Enesco, Relpo and Reubens. There was also a trend for celebrity vases such as Lucille Ball, Grace Kelly, Marilyn Monroe, etc.

Lucille Ball

One of many Marilyn Monroe interpretations this one a rare example….

Grace Kelly

A beauty definitely a 50’s glamour girl….

I am concentrating on Betty Lou Nichols pieces in this post because I am familiar with them.

Betty Lou Nichols was a talented California artist that created some of the most sought after head vases in the collecting world. I found that most, if not all, of my collection were hers. Wish I had them now. When collecting anything always look for a hallmark, a maker’s mark anything that can identify it as the real deal. Always, always engage the vendors in conversation they are experts in their collections and want to share their knowledge with you. You will learn so much more about what you already have or when you want to add items to your treasurers or you are on the hunt for something new that you didn’t know you really wanted but definitely can’t live without!!

A book, as always….

Here are some ways to display or actually use your vases, with flowers and other suggestions.

Love this collection and its mirrors…I am obsessed with mirrors, are you?!

Obviously on shelves….or

For your make-up brushes et al…..or perhaps pens etc. on your at-home office workplace…

Flowers, of course…..beyond charming…

Love this collection….wouldn’t it be fun to do at a shower, luncheon or tea to put at each guests place as a remembrance…start collecting now for future events.

I have fallen in love with lady head vases all over again, have I tempted you…hope so!

Originally written for The Randolph Street Market Blog, reprinted with permission.

All above photos, unless otherwise noted, from Pinterest photo credits unknown.

COLLECTIONS: ROSEVILLE POTTERY

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American Pottery… Always Classic, Always New

FASHION TREND REPORT EXCLUSIVELY FOR RANDOLPH STREET MARKET BY NENA IVON, nenasnotes

EDITED REPOST WITH PERMISSION OF SALLY SCHWARTZ

American pottery has been collectible since its inception in the mid-1800’s with its many manufactures, most of them based in the Mid-West, Ohio in particular. Let’s think Rookwood, Weller, Newcomb College, etc. In today’s post I’m concentrating, briefly, on Roseville Pottery, primarily it’s Magnolia and Thornapple patterns.

When I recently visited a friends home I found it jam packed with many, many collections one of which was Roseville. While I totally acknowledge that I have no previous knowledge of American pottery, I can appreciate it and want to learn more about its origins. There are many, many reproductions and fake pieces out there…as always educate yourself when collecting.

I particularly like these items being featured in Arts and Crafts homes, but find them charming in more modern settings. How fabulous in a solarium, or perhaps an enclosed porch.

Pottery Randolph Street Market

The Roseville Pottery began making decorative ceramics in 1892 in Roseville, Ohio. The company moved to Zanesville, Ohio in 1900. They became one of the largest pottery companies in the country before going bankrupt in 1954.

Roseville items come in many patterns, shapes and sizes. And, I’m sorry to say, there are too many “non-Roseville” pieces on the market. Research, research, research is the answer to authenticity!

Pottery Randolph Street Market

I took several photos of my friend’s treasures to share with you.

A wall pocket…popular with dealers and collectors.

Pottery Randolph Street Market

Pottery Randolph Street Market

A huge urn…

Pottery Randolph Street Market

Some of the vast variety of shapes are on display in a guest bedroom….lucky guest!!

Pottery Randolph Street Market

In a vignette…this and the three photos above it, taken by me with my iPhone.

Pottery Randolph Street Market

Pottery Randolph Street Market

Pottery Randolph Street Market

Interesting display of a vast collection. Here the collection doesn’t concentrate on one pattern but, in my opinion, it still works.

To continue your education…a couple of books.

Pottery Randolph Street Market

Pottery Randolph Street Market

As always when buying vintage items, do your homework, work with reputable dealers and most of all enjoy your collections.

Pottery Randolph Street Market

All photos, unless otherwise noted, from Pinterest photo credits unknown.

—–
by Nena Ivon
www.nenasnotes.com
www.facebook.com/Nena Ivon
www.instagram.com/nenasnotes

COLLECTIONS: VINTAGE COPPER WARE

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I THOUGHT THIS WOULD BE A FUN SUMMER PIECE…ENJOY

 

REPOSTED WITH PERMISSION OF SALLY SCHWARTZ

 

COLLECTIBLES EXCLUSIVELY FOR RANDOLPH STREET MARKET BY NENA IVON, nenasnotes

“Copper has been an essential material to man since pre-historic times. In fact, one of the major “ages” or stages of human history is named for a copper alloy, bronze. Copper and its many alloys have played an important role in many civilizations, from the ancient Egyptians, Romans to modern day cultures around the world.” Copper Development Association Inc. (Do explore their website…fascinating stuff!)

Mankind’s First Metal

“Copper has been in use at least 10,000 years, but more than 95% of all copper ever mined and smelted has been extracted since 1900. As with many natural resources, the total amount of copper on Earth is vast (around 10 to the 14th tons just in the top kilometer of Earth’s crust, or about 5 million years worth at the current rate of extraction). However, only a tiny fraction of these reserves is economically viable, given present-day prices and technologies. Various estimates of existing copper reserves available for mining vary from 25 years to 60 years, depending on core assumptions such as the growth rate.

While copper in its purest form is a very soft metal, almost any element that can be added to copper will increase its hardness. The addition of tin not only imparts strength but also results in an alloy, known as bronze, that can be readily cast in molds. Early on, man discovered that bronze would flow evenly into molds and produce reliable castings with intricate shapes and patterns.” From Kobett Metals website

Vintage Copper Ware

A copper mine.

Vintage Copper Ware

A vein of copper…Mother Nature at her best…

Vintage Copper Ware

Vintage Copper Ware

Copper nuggets…

What do we think of when we think copper….the Statue of Liberty, of course, a penny, naturally, some decorative accessory pieces one is likely to see in Mid-Century Modern homes but that is not what I’m concentrating on for this post but rather the kitchenalia we cook with (conducts heat to profection and in a mixing bowl whips cream perfectly) most particularly, Copper Pudding Molds…

Vintage Copper Ware

Vintage Copper Ware

Isn’t she glorious… now, of course, with her patina coat…

Vintage Copper Ware

Vintage Copper Ware

Pennies used as decorative floor tile… fascinating use for the lowly coin.

Vintage Copper Ware

Found at Randolph Street Market for décor probably originally ashtrays, now for bonbons or whatever you choose, my photo.

Vintage Copper Ware

Vintage Copper Ware

A couple of stunning Arts and Crafts pieces for a Mid-Century Modern home.

Vintage Copper Ware

I love the luster of these pans and kettles against the brick wall…very English country home… don’t you agree!!!!!

Copper Pudding Molds are shiny and ornate, these fanciful casts originated in Europe in the 1700s and remained in fashion through World War I. In England, “pudding” is a general term for desserts of all kinds, hence the term “pudding mold.” A perfect item to collect and you can find vintage “replicas” as well as the originals at the monthly Randolph Street Market. As always I suggest you use each dealers expertise to guide you through collecting no matter what form (pun intentional!!) it takes and remember don’t think about it buy it when you see it or someone else will! My warning for collecting…

Vintage Copper Ware

While I wouldn’t suggest you bake in very old molds, they make fabulous decorative pieces while newer, think mid-twentieth century to today, are fine for making any sort of “pudding”, jello molds (they too are back in favor), aspics, all can enhance your cooking year round but particularly charming at a summer picnic or back yard entertaining…easy to do and smashing to look at and devour!

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Perhaps you will find vintage drawings that could be framed and hung in your kitchen along with your copper molds. A couple of great examples.

Vintage Copper Ware

Vintage Copper Ware

 

 
Didn’t we all have fish molds and/or pineapple molds. One from my collection….all my copper went to friends collections. For years I had copper bottom pans as my cookware, they are also gone to homes that can use them and keep them shining. Many pieces today are coated so polishing them isn’t necessary, call me old fashion but I like the luster of the untreated…using a bit of elbow grease never hurt anyone plus the patina in the aging, like we humans, is beautiful.

Let’s enjoy looking at a few wonderful vintage pieces and perhaps how to display them in your home…

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Several books for reference…..again look at RSM for all manner of vintage books…

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Vintage Copper Ware

Perhaps a copper brocade dress to wear when hosting your dinner party having used your copper collection to impress your guests…

Vintage Copper Ware

Vintage Copper Ware

A solid brass sculpture, fascinating.

Copper, one of earths beautiful materials, can be enjoyed in so many ways and we can enjoy them in our homes, see the many statues with their years of patina or hold it in our hands in the form of a penny… no end to its delights.

—–
by Nena Ivon
www.nenasnotes.com
www.facebook.com/Nena Ivon
www.instagram.com/nenasnotes

All photos from Pinterest photo credits unknown.

VICTOR SKREBNESKI ODE TO AN ICON PART 4

Originally published on        June 22, 2020 by the Chicago History Museum.  Reposted with permission.

Remembering Victor Skrebneski

 

Posted under by Guest author

Legendary photographer Victor Skrebneski passed away on April 4, 2020. For this blog post, Nena Ivon, past president of the Costume Council of the Chicago History Museum, delved into her personal archive and reflects on her friend’s work with the Museum.

Victor Skrebneski had a varied and exciting association with the Costume Council of the Chicago History Museumthrough the years. During his half-century career, he was known for his striking images of models in advertisements and portraits of celebrities, but his work encompassed so much more than that. His extraordinary editorial photography graced the pages of Town & Country magazine, as well as numerous breathtaking books and catalogues. Victor’s eye for composition brought life to advertising campaigns for major retailers such as Saks Fifth Avenue and I. Magnin. His work was displayed in major exhibitions at the Art Institute of Chicago and the Museum of Contemporary Photography.


Undated self-portrait of Skrebneski. © Victor Skrebneski

Victor and the Costume Council were a perfect pairing—an iconic creator documenting an iconic costume collection. His contributions to the Costume Council and the Museum were extraordinary and leave us with breathtakingly exquisite images. He helped develop the Costume Council’s annual fundraiser—the legendary Donors’ Ball—through his unique invitations, serving on occasion as decor chair, and helping bring illustrious designers to headline the galas, such as Hubert de Givenchy in 1995.


Victor (left) looks on as Nena Ivon (standing) speaks with Givenchy and Bonnie Deutsch, a past Costume Council president, at the 1995 Donors’ Ball.

Here are two of examples of Donors’ Ball invitations featuring Victor’s photography.


The 1986 Donors’ Ball was presented at the opening of Northwestern Atrium Center (now 500 West Madison), which is connected to the Ogilvie Transportation Center.


Donors’ Ball 1990, one of my favorite invitations!

(From left to right) Mr. Victor Skrebneski, Mrs. Owen H. Deutsch and Mrs. Donna L. (Sugar) Rautbord, Chicago Historical Society Donors' Ball Co-Chairs, flanking Mr. James Galanos, fashion designer who received the first Costume Committee Award for Design Excellence in a special ceremony at the Donors' Ball, Chicago, Illinois, November 20, 1992.
Victor, Bonnie Deutsch and Sugar Rautbord, Donors’ Ball Co-Chairs, flanking James Galanos, who received the first Designer of Excellence Award at the Donors’ Ball, Chicago, November 20, 1992. CHM, ICHi-069729


Geoffrey Beene (left) was honored in 1996 with the Costume Council’s Designer of Excellence Award. Pictured with him is past Costume Council president Lawrie Weed, Victor, and Ed Weed.

One of his extraordinary contributions to the Costume Council was a ten-page color photography spread in the October 1984 issue of Town & Country magazine, which featured seven Executive Board members in front of some of the Costume Collection’s spectacular pieces. Truly a memorable captured moment in time.


Beverly Blettner, past Costume Council president, with one of the crown jewels of the costume collection—Paul Poiret’s Sorbet! © Victor Skrebneski

In addition to his work with the Costume Council, Victor’s work can be seen when you visit the Museum. His portrait of Benjamin B. Green-Field is on display at the entrance of the gallery named after Green-Field. The milliner was a generous donor to the Museum, and the Costume Collection includes a huge assortment of his whimsical Bes-Ben hats.

ortrait of Benjamin Green-Field
Undated portrait of Benjamin Green-Field. CHM, ICHi-173662; Victor Skrebneski, photographer

My last photograph taken with Victor was at a Fashion Group International Chicago event late last year. Pictured with us is Dennis Minkel, Victor’s longtime assistant, studio manager, archivist, and keeper of the flame. All of us are indebted to Dennis for his support of the Costume Council. We are holding the photographs of us that appear in Victor’s latest book, Skrebneski Documented. At the time of his death, Victor was working on two more books.


Dennis (second from left), Victor (center), and Nena Ivon (right), December 3, 2019.

It was one of the highlights of my life to not only work with this genius but to call him a dear friend for more than fifty years. His legacy will live on in the history of Chicago, the city he loved and called home.

I WAS ASKED BY THE CHICAGO HISTORY MUSEUM TO WRITE MY REFLECTIONS ON VICTOR SKREBNESKI, I DECIDED, OBVIOUSLY, TO CONCENTRATE ON HIS CONTRIBUTIONS TO THE COSTUME COUNCIL AND THE COSTUME COLLECTION OF CHM.

 

VICTOR SKREBNESKI AN ODE TO AN ICON PART 3

53DC5A9B-F679-4569-80B0-322D15532D93THE book signing…..who knew the excitement this would bring to the nenasnotes The Fashion Book Club guests, to me and most importantly to Victor!  This and the other book signing photos taken by Mark Olley, one of the monthly TFBC supporters and the Official Photographer for nenasnotes The Fashion Book Club.

The book is hefty in actual weight and in weighty content, lots of photos, many not published before, mine included…let’s start there…

I try to plan my chosen fashion/lifestyle books as close to publication date as possible and have the author in conversation and, when I can, have them in person.  I knew the new Skrebneski book, SKREBNESKI DOCUMENTED, was making its debut in September 2019 and I wanted to be the first to present it.  I made a call to Dennis Minkel to see if this would be possible and if Victor would agree to be in conversation with me and discuss the book with his thoughts on photography, of course, and life in general.  He said he would ask him and would call me back.  Shortly after our conversation my phone rang with the familiar voice of my long time friend…who said, “Of course, when, where and, you are in the book”.  Huh, did I hear correctly, I was in the book…impossible..but no, it was possible.  What an honor, what a dream, what a thrill.  I didn’t know which picture, and thought it would be a small photo on a page with other shots, again, wrong…my own full page in one of the shots from The Fashion Group International Chicago gala in 1990. I received the books from my Independent Bookseller for my events The Book Stall and found my photo, stunned beyond all expectations.
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The RSVPS were huge, I keep the monthly events small, it is a book club after all, but I couldn’t say no to anyone and wanted all of Victor’s friends and admirers to come to this intimate event.  We had almost four times our normal attendees.  We sold so many books that even the Rizzoli Publisher was impressed.  Victor was candid, when wasn’t he, and was almost giddy, he was so energized by the reception and seeing people he hadn’t seen for awhile. Of course, each book was personalized with his signature silver pen and several guests bought additional books as gifts.

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It was the perfect event and who knew what was on the horizon for him.  In hindsight, it was not only the launching of a fabulous book, but for most of the audience the last time they would be with him.  And, perhaps, his last book….there were two more planned.

Mark, I can never thank you enough for capturing the evening perfectly.

Fast forward to December yet another book signing and conversation for a special breakfast honoring Susan Glick a major force in Fashion and her extraordinary devotion to The Fashion Group International of Chicago was beautifully acknowledged at the Ritz Carlton.  Again, friends and admirers of the iconic, bigger than life, Victor Skrebneski, gathered to hear his stories, of course, The Black Turtleneck celebrity series, working with celebrities, in particular, David Bowie and more…always more.  What a treat for me to chat with my chum again in a casual easy conversation.

1DB871C7-FE7D-49A0-9FFE-C4164BA10AA6Dennis Minkel, Victor Skrebneski and Nena Ivon holding their Skrebneski images in SKREBNESKI DOCUMENTED, at the Fashion Group International Chicago book signing.  Photo taken with my iPhone.

Actually up until March I was still selling books, in fact the last one I sold was to Victor himself when I visited him at his Studio to identify designers in some of his photographs before we went to dinner at La Scarola.  One of the things we discussed that evening prior to dinner, I asked the question what was he going to photograph next…his answer, and I haven’t talked about this until today, was “Photography doesn’t interest me anymore, I’ve done everything I want to do.  I want to concentrate on my books.”  Was I stunned, you bet I was.  He also shared that he wasn’t feeling well, but I had no idea how ill he was or that it would be our last time together. It was the last time I saw him in person.  We did speak on the phone almost until his death in April.

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Self Portrait not dated.

His camera will never again capture the images that only his eye saw….we have lost a major artist and an era goes with him.  Rest In Peace dear friend, Rest In Peace.

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VICTOR SKREBNESKI AN ODE TO AN ICON PART 2

90539F23-1A22-43CF-9BCB-F50F2D2BC919Continuing my reminiscences  of my friendship with Victor Skrebneski let’s jump to 1989-1990’s …the photo above is one of my treasured Skrebneski images that hang on my louvered kitchen doors.  There are six in those groupings each inscribed to me, (see below for truly bad photos, difficult to get distance in such a small space…sorry!). I only asked for a photo once, all others were gifts usually for no particular occasion, each treasured, the one I asked for is the cityscape in the center of the right door.  I was being bold and, guess what, he gave it to me.  Perhaps I should have asked for more!!!!  The nude studies look like sculptures and maybe the Vanessa Redgrave iconic photo or one of my favorites on the Givenchy staircase with the Givenchy gown…..

Let’s talk about this particular photo, a one of a kind and mine alone…here you see Victor’s hand holding my portrait (more on that later in this post) in front of the Eiffel Tower in his favorite City, Paris….Chicago an equally favorite City!  You can’t read the top part of the inscription which says…”Never Say Never!”  Whatever does that mean, you ask…for years I would exclaim, “I’ll never go to Paris!” This was his reaction to actually take me with him to Paris, only Victor would be so thoughtful!!!  By the way, I did finally go to Paris, my 50th Anniversary gift from Saks Fifth Avenue in July 2006, basically to see the Haute Couture Collection, that trip will be another nenasnotes post.  Silly me I should have taken that photo with me and replicated it there, major missed opportunity.
37ACEC3D-1CF0-4B83-A371-1D041F08C1B8The Givenchy photo in the Haute Couture book.  There is so much I love about this iconic photo by the iconic photographer

Speaking of Haute Couture, my favorite Skrebneski book, I have almost all of his books and many exhibition catalogs.

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I’m missing a couple, my favorite is his The Art Of Haute Couture.  

3A2EDDAB-2696-4B5B-AC3D-780DB6F97FCDThis is a rather long account, but you know me, I do like to go into details…..here we go, during the early 1990’s several of the Saks stores were asked to participate in a special program designed as “gifts” to our tip top clients they were called Platinum Events and were to be unique one of a kind intimate experiences.  Chicago was one of the Stores chosen to participate.  I was given a very, very generous budget to produce these events. We did them for several years and, I must admit, they were some of the most exciting events I produced.  A “menu” was sent to the selected clients for them to choose which event they wanted to attend…each was limited to twenty guests, plus our VP/Store Manager and me.  Twice I “rented” The Art Institute of Chicago for a private tour of their “Blockbuster” exhibition, a cocktail reception and dinner in the Private Dining Room along with a major swag bag.  Imagine 20 people alone in the exhibition with the Curator!  Amazing….  Back to my VS story, I made arrangements with Victor to host our guests on the day of the launch of The Art Of Haute Couture, October 20, 1995.  It was a champagne/caviar reception in his Studio and each guest was presented with their personalized copy of the book. 34426ABA-CD49-469F-9631-3ECC6A2F7C6CMy book’s inscription reads “ For My Nena Love You Skrebneski”.  He almost always liked to use a silver pen to sign his books and always in the back of the book.  Up to this point in time, it was very unusual for Victor to host receptions in his Studio and our guests were delighted with the evening.  Victor was at his best hosting as he always loved telling stories about his work.

FE6E22C2-7921-4253-A219-043910132007His Studio….image found on Pinterest credit unknown.

Okay, let’s back track to 1990, a very big year for me and for Saks Fifth Avenue Chicago.  It was the year the store moved from 669 North Michigan Avenue (where NikeTown and Dylan’s Candy are today) to Chicago Place at 700 North Michigan Avenue.

289368DD-E39A-474D-A44F-A3CFE65CA6DATaken after a dinner in front of the “old building” and used in the film, I’ll talk about that shortly, I promise!

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At dinner both my photos taken by VS.

We moved Labor Day weekend and I was to be honored by The Fashion Group International Chicago at their annual gala later in September at the Chicago Hilton.  Let’s back track even further.  The FGI Gala started several years earlier by honoring Victor at the Guildhall at the Ambassador West Hotel.  It was, of course, a black tie affair and all of the elite of the fashion and social world were in attendance including many of Victor’s models.  A wonderful sit down dinner was interrupted by the wait staff carrying silver trays with the brand new Polaroid cameras to be given to the guests….talk about a ice breaker…it was absolutely genius, but what else would you expect from VS!

Once again I got a call, no telegram this time, that Victor was shooting me for the Award Presentation and he was doing a “film” to be shown the evening of the party.  FYI the gift for the guests was a special Nena perfume made exclusively for the event and to be frank, it was quite a lovely fragrance.  I think my bottle is with my miniature and full product fragrance collection in the Nena Ivon Archives at Columbia College Chicago.

Remember, I explained how Victor did a shot, all very planned and quick…I think this was the idea it wasn’t what happened.  Let me set this up for you…I had already decided on my outfit for the event an Adolfo Lasage pearl detailed black jacket, white chiffon cowl neck top and a black chiffon side draped long skirt with rhinestone buckle belt.

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I was to bring that with me and Victor had made arrangements with Bob Mackie to send in sample evening gowns for me to wear in the shoot, I mean seriously…..  Again hair and make up artists on hand, I brought my accessories and arrangements were made for Marsha Brenner’s Just Jewelry pieces to be worn as well.  So much went into the day that I’ll try to simplify it….what was suppose to be quick turned into an all day session.  Understand that once Victor focused on the subject he looked at you over the camera…neither of us could keep a straight face and we became quite hysterical which, of course made the entire event even more memorable.  Photos were taken, garments were changed and the day ended with Dennis and an assistant up on ladders throwing long stemmed roses at me, thorns had not been removed!

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After a lot of ducking on my part the “live shot” happened and we were a wrap!  It took all day.  Now it was time for my close up and we had to practice a “royal” wave over and over until I got it just right.

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This is the photo that went to Paris….

By the way, the American Songbook, mostly Sinatra, played all day just adding to the atmosphere.  This photo was then superimposed on many different pictures to coincide with the lyrics to the song “I’m Still Here” from Follies, the concert version sung by Carol Burnett.  It was brilliant.

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The film opens with me topless, don’t get excited, I was three in the photo. I had supplied him with photos of my life that he used before the “glamour” photos.

The front of the invitation for the event a close up of a Christian LaCroix Haute Couture gown.02EB09D6-4A66-4421-864F-4E7103D9AE8E

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Some of my models who attended the gala…meant the world to me. From my Archives.

At the Gala, the film was shown, something went wrong with the projector but all ended up okay.  I was behind the screen and when the film ended the screen went up and there I was in same position as the last photo. I was then escorted by a bevy of male models to the dance floor where I was presented to the guests…magical, yes, it was and a night I’ll never forget.  Some day…I’ll post the film…it is quite wonderful. 

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Why am I laughing so hard here…my direction from the Maestro was “Give me more bosom, Ivon”…more smile, more attitude, more???? But more bosom, the miracle worker, Dennis ran over with powder puffs and voila more bosom…..

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And here my original Skrebneski sketch of this photo, another treasure.BE7C72AA-6C11-41DE-B99F-4B43ABD0FEBDThe next morning I received the film, the DVD, all the prints from the shoot, priceless and probably my greatest Skrebneski treasures.  They are framed and hang in my home…Dennis went with me to get the perfect black frames, they hung in my office until I retired.  Here is the negative, which I’m mad for and just found.

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To be continued……
All photos are from my own Collection unless otherwise noted.

VICTOR SKREBNESKI AN ODE TO AN ICON PART 1

 

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Victor’s Birthday Dinner Chez Ivon long ago.  One of my favorite photos of us. My photo, published for the first time

Sweetheart, Baby, Angel, Dearest, Darling…..(each comma represents a pause!) how I will miss these words on my phone early on so many mornings….followed by “Its Victor”…my answer, always, who else would it be!  And always notes for reasons or just a hello….he did those for many of his friends, I treasure mine.

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This was our greeting for decades.  Was each and every decade stress free, of course not, no relationship no matter how close you are doesn’t have bumps and, yes, we had bumps, but the “bumpless” times were so very special.  I wanted to share all the good times…and there were many!

E6BACBBC-B29E-4606-98B8-CFB82D78FE2CAt a Fashion Group International Chicago gala honoring the Ferragamos  Photo credit: Robert Carl.

My dear, special friend of so many, many years and so many, many memories, left us this year on April 4th to join his dear family and friends such as Hubert de Givenchy, Estée Lauder, Joan Weinstein, Jovanna Papadakis to name just a few to make Heaven even more glamorous…….you know he is busy organizing the angels into perfect photo shoots…on that you can be sure.

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Shown with Estée Lauder, photo credit unknown.

In retrospect, I can’t remember when we first became friends nor why we were comfortable sharing confidences and champagne, but we were and we did!!  Over many, many dinners at RL and La Scarola (the last time I saw him was at dinner there) or my home, we talked about anything and everything.
0CDCA09B-149B-4FC6-A4B6-085928EECECEAn afternoon benefit at the Chicago Hilton, photo credit unknown.

We often went to events together and he was sure to include me when he was receiving many of his  special honors.

Back in the discotheque days….the 1960’s/1970’s we would meet, along with everyone else, on the weekends at the Disc de Maxim’s, I supplied the dresses for the DJ…it was the place to see and be seen.  Or the evenings spent listening to Bobby Short or Shelley MacArthur at the Gold Sardine Bar.  Great fun times.

Nancy Goldberg’s Maxim’s de Paris at the Astor Towers.  Beyond gorgeous…here the staircase from the main floor into the restaurant and the dance floor.

Photos found on Pinterest credit unknown.

I had the honor of planning the special dinner at the Chicago Cultural Center after he received his Honorary Degree from Columbia College Chicago, one of the only times that a degree was  bestowed outside of Graduation ceremonies making it even more special.

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1995 Columbia College Chicago Honorary Degree evening.  Photographer unknown. From my collection.

Lucky me that I became a friend of one of the major artists of the 20th and 21st Centuries.

When did this friendship begin…I can’t pin point the exact year, Victor was a well known photographer and Major Influencer when I started at Saks Fifth Avenue Chicago.  I think the first time I was invited into his Circle of Friends was at the Chicago premier of the 1969 film The Damed.  I was invited to a private screening at the screening room at The Chicago Theater and to the reception after.  It was a small group at the screening…the movie was eagerly anticipated and I was beyond thrilled to be included.  Well, dear friends, I don’t shock easily but I must tell you, I was beyond shocked by the film, so much so I have never seen it again.  Since it was such a small group I couldn’t get up and leave.  I guess I should like it, I do admire Visconti’s work. Well there is more to this story…the reception was upstairs at Gene & Georgetti’s (I’m so pleased they are back with us after their fire and the “plague” closings).  As you got to the top of the stairs you were immersed in the decadent “Cabaret Scene” from the film, I was beside myself.  Perhaps if I hadn’t been so undone by the film I might have found it less distasteful and across the room was one of the stars, Helmut Berger who kept staring at me….gave me chills!  If you haven’t seen the film do so and you will get what I’m talking about.  I wonder if I’ll find it not as shocking now???!!!

Flash forward to 1984 when I received a telegraph (remember those) from Town and Country requesting that I report to the Skrebneski Studio on such and such a date at such and such a time to have my photo taken for an upcoming story in the magazine on The Costume Council of the Chicago Historical Society (as the  Museum was called then) .  Victor did exquisite editorial spreads for T&C for years, some of my most favorite images are from those issues.  Well, of course, I thought this was some kind of a joke.  I immediately called Dennis Minkel, Victor’s Assistant and a long time dear friend of mine.  I had been working with him on many shoots when they needed clothing and/or accessories.  He assured me it wasn’t a joke and to wear a favorite dress, preferably a day garment since the other Executive Committee members would be in cocktail and evening gowns.  They would supply the hair and makeup artists and the jewelry.  I was stunned, excited, honored and perplexed being the only “non-socialite” in the group.  I was, at the time serving as Acquisitions Chair.  As I recall I was the last shoot of the day.  I arrived as scheduled in my “uniform” a mock turtleneck black chemise by Adolfo.  My hair was long at the time and it was fashioned into a classic French Twist.  I am photographed in front of period gowns from the Costume Collection in a double page spread.  Let’s talk a minute about how Victor worked, the set ups took time but he knew exactly what shot he wanted and where the fold of the magazine would happen, therefore the two pages always were seamless not so with other photographers nor magazine editors.  Just one example of his brilliance.  And it’s one shot and done.  The photo looks quite simple, it was anything but….to get the angle he wanted, and by the way he loved profiles….so that is how you see me, I don’t love my profile but who am I to say…he had positioned my legs in an awkward position, so much so that I pulled a muscle.  I don’t think I ever told him that!!!!  My hair looks dark due to the dramatic Skrebneski lighting.  Lighting was one of his signatures.  And here is the finished photo

1B7FCB0F-2C91-459A-B330-EE1E24B5AE5EThis framed copy was on my office wall from 1984 until I retired in 2009, it is now part of the Nena Ivon Archives at Columbia College Chicago.  All of us were taken to Les Nomades for an elegant dinner with the T&C editors and a bottle of Kristal was sent to each of us with a lovely note.  What an extraordinary once in a lifetime experience…..I, of course, thought this was my one and only Skrebneski photo session…..wrong again…..

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Stay tuned for Part 2 and probably Part 3 of this story.