A week after we learned of the death of the last of the great couturiers I feel everything has been written about this extraordinary creator by those who knew him, wrote about him and treasured his memory. His creativity was unparalleled not only in the world of fashion but also in his homes and his magnificent gardens.
I wanted to briefly talk about my memories of the few times I met him. The first time was at the launch of his first cosmetic collection in 1966. It was always a ”contest” to see which of the major stores, usually the Speciality Stores….Saks Fifth Avenue, Bonwit Teller, I. Magnin (Neiman Marcus wasn’t in Chicago yet) and, of course, Marshall Field’s, would launch the newest, hottest fragrance. I must say Saks saw it’s share of these prestigious events. Obviously a cosmetic collection by one of the worlds most illustrious designers was beyond exciting. We had a huge fashion press in Chicago at the time and they were all vying for exclusives. I didn’t then believe in exclusives if the story doesn’t run you are ”dead in the water”. Instead, we always had a press party for visiting designers in addition to a reception for clients usually to benefit a charity. All was set, caterers in place, champagne chilled and I had the tuxedoed wait staff with their champagne ladened silver trays lined up on either side of the cosmetic aisle ready for the guest of honor, M. Givenchy, his people, the President of Saks, Corporate Cosmetic VP’s and our guests. I ran up to my office to quickly change, I am in ”mid-change” when my walkie-talkie (this is before tech thingies!) is swawking….”M. Givenchy’s car has just pulled up”! My office was on the fourth floor, I finished pulling on my clothes torn down the stairs and made it to the door to escort the entourage into the store and the reception. Whew!! I have worked with many, many wonderful creators through the years and I can say he was one of the most gracious, charming of all. He made you feel like you were the only person he wanted to talk to, if only for a brief moment in time. This cosmetic line was short lived and we had the privilege of a second launch several years later. 
This photo, now in the Nena Ivon Archives at Columbia College Chicago, hung on my office wall was from the first launch. Unfortunately, like several other designer photos, the salutation has faded into oblivion over the years.
In M. Givenchy received the Designer of Excellence Award from the Costume Council of the Chicago History Museum at a sold-out black-tie gala held in the Museum in 1995 sponsored by Saks Fifth Avenue. The front and inside cover of the evening’s invitation, the evening was planned with the direction of M. Givenchy’s dear friend, Victor Skrebneski (holding my hand) who took the photo on the invitation and is seen here with M. Givenchy and Bonnie Deutsch, the President of the Costume Council at that time. The evening was a roaring success monetarily and prestigiously It was the talk of the town. All the guests were given a small ivory silk pocket square with the Givenchy signature and rolled hem in grey. All three images courtesy of the Nena Ivon Archives at Columbia College Chicago.
A close up of another Skrebneski photo of one of my favorite Givenchy dresses….you by now know my love of lily of the valley…what could be more divine!!!!! Photog found on Pinterest.
We all know of the deep friendship between Givenchy and Audrey Hepburn from the time she chose her garments for Sabrina through most of her many films, as well as her personal wardrobe. One of my most favorite garments are in Charade, loved the film (what’s not to like) and the clothes are to die for…she seems to have a new outfit in every frame…each better than the last.
My favorite Skrebneski photograph of a Givenchy gown. Everything is perfection….the composition, the lighting the incredible staircase, the floor and of course the gown…oh my the gown!!!! Found on Pinterest.
Of course, a few suggestions for your fashion book library….
I have very fortunate to have worked with the creme de la creme of the fashion world….lucky, lucky me!!
BOOM CRACK! Dance Company combines hip hop styles with curated choreography in Decibel, an excerpt from an evening-length production choreographed by Trae Turner with music by Paul Mond. The work explores frequency and emotions attached to sound, with an eclectic score of lo-fi sample-based production, harsh electronic instrumentals, and energetic music.
Chicago Tap Allstars, which features tap dancers from throughout the Chicago area, performs Birdland, a joyous dance choreographed by Bril Barrett and Mark Yonally with improvography from the dancers, to the music of Weather Report. Chicago Tap Allstars aims to amplify the excellence of Chicago tap dance by creating an equitable, healing, and inclusive community. 
Giordano Dance Chicago and South Chicago Dance Theatre join forces for Luminescence., created by Kia Smith for Giordano’s 60th anniversary season earlier this year. With music by Coldplay and U2, the work was created with the spirit of community at heart and is a celebration of humanity. 
Hiplet Ballerinas, the professional company of the Chicago Multi-Cultural Dance Center, performs React, choreographed by Trevon Lawrence and Anthony Sampson to the music of The Pussycat Dolls. From classical ballet to hip hop, this piece fuses tradition with the energy of dance. 
Hubbard Street Dance Chicago offers the full company in excerpts from BUSK by Aszure Barton, set to music by Daniel Belanger, Ljova, Camille Saint-Saëns, and David Wikander, which WTTW called “wildly eccentric and stunningly original.” 
The Joffrey Ballet performs excerpts of Gerald Arpino’s Birthday Variations, which was commissioned by Becky D’Angelo as a birthday present to her husband Dino, who owned Chicago’s Civic Opera House and loved the music of Giuseppe Verdi. Set to Verdi’s infectious opera-ballet music, the work is a sparkling showcase of classical dancing.
Freelance dancers Joseph Massarelli and Riho Sakamoto perform On the Nature of Daylight, a pas de deux choreographed and staged by David Dawson to music by Max Richter. This work explores the idea of love as the ordinary and the extra-ordinary—the many possibilities of finding pure love, a task that binds us as human beings, and a search that happens continually around the world on a daily basis. The piece fully encompasses the idea that love lost remains unforgettable.
Moonwater Dance Project’s work Clarity, choreographed by Hanna Brictson to music by Murcof and Vanessa Wagner and Travis Lake, explores the challenge of finding transparency within oneself, taking the performers and viewers on a dynamic journey to discover purity and strength.
Muntu Dance Theatre performs Djeliya, featuring Lamba, the dance of the djeli, or griots, who are highly respected among the Mandingue people for keeping the history and culture intact by playing special instruments and singing. Choreographed by Regina Perry-Carr to music by Idris Daniel and Sekou Conde, Djeliya includes a drum procession.
For this year’s finale, Randy Duncan revives and expands his world-premiere finale from Dance for Life 2021, As One, with music by Ira Antelis and costumes by Richard Dayhoff. Created in honor of longtime Dance for Life supporter Harriet Ross, As One drew inspiration from the marches and protests during the pandemic and the hate, but also the love and healing necessary, to survive in this climate.
Gerald Arpino by Herbert Migdoll