HAPPENINGS…..CHICAGO HISTORY MUSEUM/COSTUME COUNCIL…THREADS OF A NATION: PRESERVING PRESIDENTIAL CLOTHING

I’m very excited to share the information about the upcoming Chicago History Museum exhibition sponsored by the Costume Council. I have been a member for decades and have been involved with many of the exhibitions. The Costume Collection, we support, is one of the largest in the world and houses everything from French Haute Couture to American and European ready to wear to Chicago Sports memorabilia to Sally Rand’s fans to rare historical US president’s garments and even a garment attributed to Mary Todd Lincoln!

At the opening party, on October 22nd from 6 to 9 at the Museum, (open to the public on October 24th), you will be treated to a presentation by historian, Timothy Long, whose knowledge of clothing is unsurpassed! This is one way we celebrate our Nation’s 250 Anniversary with what the Costume Council does best…show history through the garments that were worn through the decades and, therefore, made history!

From the Museum….

“The Costume Council of the Chicago History Museum invites you to the opening night celebration of Threads of a Nation: Preserving Presidential Clothing, an exhibition that brings together remarkable garments worn by George Washington, John Adams, and Abraham Lincoln, as well as personal effects and relevant historical documents.  Tickets→

As the nation observes its 250th anniversary this year, we examine US history through the clothes of those who helped shape it and discover how fashion, politics, and personal identity became woven into the story of a new nation.

The evening begins with a presentation by fashion historian and curator Timothy Long, who will explore one of the Museum’s most treasured objects. For over a century, the Chicago History Museum has held a suit of black silk velvet worn by George Washington. Drawing on years of his research in the leading repositories of the nation’s history, this evening reassembles a wardrobe long scattered—and asks what it reveals about the nation’s first president.

Following the presentation, enjoy cocktails and hors d’oeuvres while exploring Threads of a Nation at your own pace. Museum staff will be on hand throughout the exhibition to answer questions and share additional insight on the objects on display. Guests also have the opportunity to participate in an exciting selection of auction offerings throughout the evening.

About the Presenter 

Timothy Long is a fashion historian and curator who has spent his career reading history through what people wore. A former curator at the Chicago History Museum and the Museum of London, he has created more than twenty exhibitions on both sides of the Atlantic, including projects for the Museum at the Fashion Institute of Technology in New York and the San Diego History Center, and has written on dress and the decorative arts, including for V&A Publishing and the British Museum Technical Research Bulletin.

For many years he has pursued an investigation into the surviving clothing of George Washington, following it across collections in the United States and Britain. He recently held a fellowship at the George Washington Presidential Library at Mount Vernon and now holds one at Sulgrave Manor, Washington’s ancestral home in the United Kingdom.”

Schedule

5:30 p.m. – Pre-Event VIP Champagne Reception and meet and greet with Timothy Long
6:00 p.m. – Doors open, cocktails and hors d’oeuvres served, silent auction bidding begins 
6:30 p.m. – Presentation by Timothy Long 
7:00  p.m. – Reception and self-guided exhibition viewing 
8:15 p.m. – Bidding for silent auction concludes 
8:30 p.m. – Silent auction winners announced 
9:00 p.m. – Event concludes 

Co-Chairs: Anika Allen and Katie Beard

Event Committee: Moni Adorjan, Athena Golianis, Courtney Hopkins, Karen Peters, Frank Rubel, Carol Seeling, and Karen Zupko

Sponsors of Style

George Washington Sponsor

Liz Stiffel

Abraham Lincoln Sponsors

D. Elizabeth Price
The Shearson Family
VLS Private Foundation
Richard and Diane Weinberg

John Adams Benefactors

Pamella and Alfredo Capitanini
Karen Peters and Charles Frank
Heritage Auctions
Alicia and David Schafer
Karen Zupko and Mike McCahon
Carlette McMullan
Lyssa Mashek Piette

Pattern Friends

David Hiller and Darcy Evon
Courtney and Tobin Hopkins
Neiman Marcus
Rhonda Marcucci
Frank J. Rubel III

Threads Patrons

Anika Allen and Baird Capital
Constance K. Barkley
Katie Beard
Kathleen M. Boege
Jonathon and Jacqueline Cwiok
Bon French
Athena Golianis
Vicki Hood
Katherine Klehr
Lissette Cortes Lade and David Lade
Betty Latson
Lizzy Lopez
Diane Lovejoy
Erica C. Meyer
Randolph Street Market
Cheryl Tama Oblander and Scott Oblander

In-Kind Sponsors

  Connie Barkley     Elysium MedSpa     Kissyboo

Knee Deep Vintage     Lady Bug Vintage     Rhonda Marcucci

MS Collections        Space 519      Viva La Med Spa

Conservation of the presidential costumes and objects is being supported in part by a federal Save America’s Treasures grant administered by the Institute of Museum and Library Services.


Contact Melinda at mccrary@chicagohistory.org to learn more about exhibition sponsorships 

HAPPENINGS…..THE SOUTHWEST SYMPHONY ORCHESTRA

I know I’ve shared many posts on my life long passion for the arts…well here is another outstanding organization I haven’t talked about until now, The Southwest Symphony Orchestra! Why now you might ask…there are several reasons…they are celebrating their 60th Anniversary, they have a brand new conductor and they are having a fun fund raiser…so now is the perfect time to do a long over due post!

I have had the pleasure of attending their concerts over the years and recently attended their opening concert of the 2025-2026 season….you have heard of an eye opener well this was an “ear opener” under the direction of their new conductor, Brian Dollinger, they have never sounded better!

From Mastro Dollinger bio….

Whether on the concert stage performing masterworks and pops or in the orchestra pit conducting opera and ballet, his insightful musicality and collaborative spirit come together to create a fun, inviting, energetic, and enriching atmosphere at each rehearsal and performance. 

Maestro Brian Dollinger celebrates more than twenty years as the Music Director and Conductor of the Muscatine Symphony Orchestra. In 2023, he was successfully re-appointed as the artistic leader for I not only the MSO, but the Clinton Symphony Orchestra and the Hawaii-based Kamuela Philharmonic. He continues to serve as Music Director of the West Hawaii Dance Theatre on the Big Island of Hawaii as well. His charisma, energy, technical clarity, and deep musical passion continues to inspire musicians and audiences alike across the country. He has conducted orchestras of a variety of levels and locations throughout the United States and in Europe.

A member of the National Association for Music Education, Maestro Dollinger is a frequent conductor and clinician for various youth string festivals, competitions and workshops. He has conducted highly successful engagements throughout Illinois and Iowa. These events have included all-day festivals rehearsing, teaching, mentoring and performing with some of the state’s best high school symphonic musicians. He continues to make appearances at elementary and high schools working with student ensembles and talking about music with the youngest of students down into kindergarten. A sought-after clinician, adjudicator, and speaker, Maestro Dollinger welcomes each and every opportunity to work with young students and musicians.

BRIAN DOLLINGER

I wanted to give you information on a special opportunity to support this fabulous orchestra…here is their press release….

You may enter for a chance to win here, if you are so inclined.

Also, the Symphony has two Christmas Concerts. Friday, December 12th at 7 pm at St. Damian’s Catholic Church in Oak Forest and Sunday, December 14th at 4 pm at St. Stephen’s Church in Tinley Park. This is a great way to get into the holiday spirit. The Symphony will be joined by the Choirs from both churches, their Children’s Choir and Bell Choir. A brand new piece commissioned in honor of the 60th Anniversary of the Southwest Symphony Orchestra by Tom Hawley and Tom Mantel will be premiered at these concerts! Get your tickets soon, they tend to sell out!”

On a more personal note…I was recently honored at a black tie event for a special birthday…my dear friends, Tom Hawley and Tom Mantel, (you have read about their spectacular Mid-Century Modern home in numerous blog posts), hosted THE perfect party (I’m doing another post on THE party with lots of photos….stand by!). It so happens that Tom H. plays in The Southwest Symphony. I had the nerve to ask if he would do a huge favor for me and play at my party. He, of course, agreed and invited four of his colleagues to join him in a string quintet. They played Mozart’s A Little Night Music, one of my favorite classical pieces, followed by Happy Birthday. They made my special evening even more magical! Lucky me!

Do yourself a major favor and get your tickets you will be totally enchanted!

MY OBSESSION…THE JOFFREY BALLET…THE 2024-2025 SEASON BEGINS!!!!!


THE JOFFREY BALLET OPENS 2024-25 SEASON 
WITH THE HIGHLY ANTICIPATED NORTH AMERICAN PREMIERE OF
CATHY MARSTON’S ATONEMENT
 
Marston’s Atonement is the first-ever stage adaptation of Ian McEwan’s best-selling book

It is my greatest pleasure to share the press release for the upcoming season opening ballet ATONEMENT! By now you know I’ve been obsessed with The Joffrey Ballet since they first preformed in Chicago and how exciting that they call Chicago home…making us beyond proud. Always cutting edge…always innovative with their varied repertoire. This production a not to be missed experience! GET YOUR TICKETS NOW!

RELEASE….

September 5, 2024 – CHICAGO) The Joffrey Ballet boldly opens its 2024-25 season with the highly anticipated North American premiere of Cathy Marston’s poignant interpretation of Ian McEwan’s 2001 novel-turned-Academy Award®-winning film Atonement. The full-length narrative ballet follows Briony Tallis, revealed in the book as its author and now portrayed as a celebrated choreographer, as she grapples with the haunting echoes of her past through a breathtaking dance of redemption. The first-ever stage adaptation of McEwan’s best-selling book, Atonement will be presented at the historic Lyric Opera House, 20 North Upper Wacker Drive in downtown Chicago, in ten performances only, fromOctober 17–27, 2024.

This production received its World Premiere in April 2024 by Ballett Zürich, the company in which Marston serves as Ballet Director and Chief Choreographer.

 “When Cathy approached me with her vision to create the first-ever stage adaptation of Atonement, we agreed that this would be an unforgettable narrative to experience through the lens of dance and that the Joffrey would be the perfect match for its North American debut,” said The Mary B. Galvin Artistic Director Ashley Wheater MBE. “Playing to the strengths of our Company Artists to convey complicated characters, such as the story’s protagonist Briony, Atonement sets the stage for a commanding season ahead, encouraging Chicago audiences to see themselves in ever more complex ways.”

“Opening our 69th season with the North American premiere of Marston’s Atonement reflects the Joffrey’s avant-garde approach to sharing ambitious, bold narratives,” added Acting CEO Deputy Director and Chief Financial Officer Shari Massey. “This production marks the second time the Company has mounted a full-length ballet with an original score. New works are essential for the evolution of our art form, and with Cathy and Ashley at the forefront, I couldn’t be more excited for Chicago to witness what’s in store.”

Marston’s adaptation unfolds the tragic love story of Briony’s older sister, Cecilia, against the historical backdrop of 1935 England to explore the intricate layers of societal norms and the enduring impact of a single lie. Enveloped in Laura Rossi’s evocative musical score, with dynamic choreography portraying the complexities of self-deception, the transformation of memory, and the weight of guilt, Atonement shares an emotionally charged experience with a startling twist finale that will linger in the soul.

A production in two acts, Atonement features a creative team with costumes by Bregje van Balen (former dancer with Nederlands Dance Theatre), stage design by Michael Levine, and lighting by Martin Gebhardt.

Marston has received worldwide critical praise for her compelling and elegant narrative-driven ballets that both brilliantly capture and thoughtfully adapt some of the most influential novels in recent history.Atonement will be the fifth work by Marston that The Joffrey Ballet has performed; past productions include Jane Eyre in 2019, Of Mice and Men and Heimat in 2022, and the dance film Bertha in 2021.  

Atonement is a co-production with Ballett Zürich and features live music performed by the Lyric Opera Orchestra, conducted by Scott Speck, Music Director of The Joffrey Ballet.

With gratitude to Atonement Commissioning Sponsors: Producing Sponsors Anne L. Kaplan and Denise Littlefield Sobel; Presenting Sponsors Lorna Ferguson and Terry Clark, Rudolf Nureyev Fund at The Joffrey Ballet, Mr. and Mrs. Joel V. Williamson; and Production Sponsors Holly Palmer Foundation, Max Mara, and Jon and Eleanor DeMoss.

The 2024-25 Joffrey Ballet season continues with the return of Christopher Wheeldon’s The Nutcracker, December 6–28, 2024, followed by Golden Hour, February 20–March 2, 2025, with original work by Dani Rowe and Yuri Possokhov, accompanied by pieces from frequent Joffrey collaborators Nicolas Blanc and Cathy Marston. Closing out the season is a not-to-be-missed highlight of the year—plunge down the rabbit hole into the fantastical world of Alice’s Adventures in Wonderland, where two-time Tony Award®-winner Christopher Wheeldon brings Lewis Carroll’s fantastical world to life with instantly recognizable characters such as the high-strung Queen of Hearts, the entrancing Caterpillar, and the tap-dancing Mad Hatter, June 5–15, 2025.

 Tickets and Schedule

The Joffrey Ballet presents Cathy Marston’s Atonement Thursday, October 17–Sunday, October 27, 2024; the full performance schedule is as follows: Thursday, October 17 at 7:30PM; Friday, October 18 at 7:30PM; Saturday, October 19 at 2:00PM and 7:30PM; Sunday, October 20 at 2:00PM; Thursday, October 24 at 7:30PM; Friday, October 25 at 7:30PM; Saturday, October 26 at 2:00PM and 7:30PM; and Sunday, October 27 at 2:00PM.

Single tickets start at $36 and are available for purchase at Lyric Opera Box Office located at

20 N. Upper Wacker Dr. and by telephone at 312.386.8905, or online at joffrey.org.

About The Joffrey Ballet 

The Joffrey Ballet is one of the premier dance companies in the world today, with a reputation for boundary-breaking performances for over 68 years. The Joffrey repertoire is an extensive collection of all-time classics, modern masterpieces, and original works.  

Founded in 1956 by pioneers Robert Joffrey and Gerald Arpino, the Joffrey remains dedicated to artistic expression, innovation, and first-rate education and engagement programming. The Joffrey Ballet continues to thrive under The Mary B. Galvin Artistic Director Ashley Wheater MBE and President and CEO Greg Cameron. 

The Joffrey Ballet is grateful for the support of its 2024-2025 Season Sponsors: Abbott Fund, Alphawood Foundation Chicago, Daniel and Pamella DeVos Foundation, The Florian Fund, Gallagher, Anne L. Kaplan, and Live Music Sponsors: Sandy and Roger Deromedi, Sage Foundation, Robert and Penelope Steiner Family Foundation, and The Marina and Arnold Tatar Fund for Live Music. The Joffrey also acknowledges Season Partners: Chicago Athletic Clubs, and Athletico Physical Therapy, official provider of physical therapy for The Joffrey Ballet. 

For more information on The Joffrey Ballet and its programs, visit joffrey.org. Connect with the Joffrey on Facebook, Instagram, and LinkedIn. 

Image: Joffrey Company Artists Amanda Assucena, Alberto Velazquez, and Lucia Connolly. Photo by Todd Rosenberg.

DANCE…DANCE…DANCE: ARPINO CENTENNIAL CELEBRATION!

By now you know I’m obsessed with Dance…most especially with our very own The Joffrey Ballet! I did a pre-announcement about this once in a hundred years event…THE ARPINO CHICAGO CENTENNIAL CELEBRATION…now here are all the details of this extraordinary two day happening. It is especially meaningful to me since I had the great honor and pleasure of doing fund-raising events with Mr. Arpino on several occasions when I was Fashion/Special Director at Saks Fifth Avenue, Chicago. And, of course, I have been thrilled to witness the talent and growth of this fabulous company. The following is the official release on the event…mark your calendar for JUNE 5TH when tickets go on sale. Beyond exciting….I’m sure you agree!

ARPINO CHICAGO CENTENNIAL CELEBRATION
SEPT. 23–24 AT THE AUDITORIUM THEATRE:
8 BALLET COMPANIES FROM ACROSS U.S.
PERFORM RANGE OF ARTIST’S WORK

To celebrate the 100th anniversary of the birth of Gerald Arpino, one of the 20th century’s most influential artists, The Gerald Arpino Foundation presents the Arpino Chicago Centennial Celebration as the culminating event of a multiyear salute to this extraordinary choreographer and co-founder/director of The Joffrey Ballet. Performances take place September 23 and 24, 2023 at the Auditorium Theatre, 50 E. Ida B. Wells Drive, Chicago.

The two programs, which feature ballet companies from across the U.S. performing works that span Arpino’s lengthy and prolific career, include (in alphabetical order):

Saturday, September 23, 7:30 p.m.American Ballet Theatre (New York): Sea Shadow (1962), set to music by Maurice Ravel, is Arpino’s romantic ode to Ondine, a young man on the beach who is enamored with a shadow from the sea in the guise of a beautiful creature. Photo: Victoria Jaiani and Temur Suluashvili of The Joffrey Ballet, photo by Herbert MigdollBallet West (Utah): RUTH, Ricordi per Due (2004) is an elegy to music by Tomasso Albinnoni and Arpino’s final work, commissioned and underwritten by Barbara Levy Kipper in honor of her mother, Ruth Doctoroff Levy. Former Ballet West artists Arolyn Williams (front) and Christopher Ruud, photo by Beau PearsonThe Joffrey Ballet (Illinois): Suite Saint-Saëns is Arpino’s 1978 masterwork, a showcase of classical movement in neoclassical style that epitomized the choreographer’s way of moving in the ’80s—with speed, energy and quality—set to Camille Saint-Saëns. José Pablo Castro Cuevas and Natalit Taht of The Joffrey Ballet, photo by Cheryl MannOklahoma City Ballet (Oklahoma): Birthday Variations (1986) was commissioned by Becky D’Angelo as a birthday present to her husband, Dino, owner of Chicago’s Civic Opera House and a fan of Giuseppe Verdi’s music, featured in this work. Leah Reiter (L) and Flannery Werner of Oklahoma City Ballet, photo by Jana Carson San Francisco Ballet (California): L’Air D’Esprit (1978), set to music from Giselle by Adolphe Adam, is a romantic and classical work in the traditional pas de deux form and a tribute to the ballerina Olga Spessivtzeva, one of Nijinski’s partners before the fall of Czarist Russia. Tina LeBlanc of The Joffrey Ballet, photo by Herbert Migdoll

Sunday, September 24, 1 p.m. (NOTE UPDATED TIME)Ballet West (Utah): Light Rain (1981), which Arpino created for The Joffrey Ballet’s Silver Anniversary to showcase the company’s new young dancers and represent their youth and energy, is set to music by Douglas Adamz and Russ Gauthier and remains among Arpino’s most popular works. Ballet West Principal Artists Emily Adams and Hadriel Diniz, photo by Beau PearsonComplexions Contemporary Ballet (New York): Valentine (1971), set to music by Jacob Druckman, is a quirky and humorous look at the battle of the sexes using a boxing arena as the setting for staccato and contemporary movement. Julianne Spratlin and Fabrice Camels of The Joffrey Ballet, photo by Herbert MigdollEugene Ballet (Oregon): Reflections (1971) is a neoclassical, pure dance ballet and a perfect example of the Arpino style—high lifts, a flying pace and classic beauty. This fast-paced and physically challenging ballet is set to Pyotr Ilyich Tchaikovsky’s “Variations on a Rococo Theme for Violoncello and Orchestra.” Yumelia Garcia and Temur Suluashvili of The Joffrey Ballet, photo by Herbert MigdollThe Joffrey Ballet (Illinois): Round of Angels (1983) is an emotional ballet featuring a couple, destined to part, surrounded by five broken-winged angels. Set to the haunting Adagietto from Gustav Mahler’s Fifth Symphony, this work is dedicated to the memory of James R. Howell, a Joffrey member and Arpino’s lifelong friend and artistic associate. Victoria Jaiani, Sam Pergande and dancers of The Joffrey Ballet, photo by Herbert MigdollSan Francisco Ballet (California): L’Air D’Esprit (1978), set to music from Giselle by Adolphe Adam, is a romantic and classical work in the traditional pas de deux form and a tribute to the ballerina Olga Spessivtzeva, one of Nijinski’s partners before the fall of Czarist Russia. Tina LeBlanc and Glenn Edgerton of The Joffrey Ballet, photo by Herbert Migdoll.

Gerald Arpino (1923–2008) was a visionary choreographer who, along with Robert Joffrey, created a ballet company and a body of work that has made a singular and enduring impact on American ballet. Throughout his 50-year career, Arpino created nearly 50 ballets for The Joffrey Ballet. From landmark works like Trinity and Round of Angels to Suite Saint-Saëns and Light Rain, Arpino was a masterful artist and entertainer whose work brought audiences to their feet time and again.

The Gerald Arpino Foundation presents
the Arpino Chicago Centennial Celebration
Saturday, September 23 at 7:30 p.m.,
Sunday, September 24 at 1 p.m.
at the Auditorium Theatre, 50 E. Ida B. Wells Drive, Chicago.
Tickets are $45–250; single tickets* go on sale June 5, available at
auditoriumtheatre.org/events-details/gerald-arpino-chicago-centennial-celebration/,
312.341.2300 and the Auditorium Theatre Box Office.
* Tickets are currently available as part of an Auditorium subscription.

All programming is subject to change.
The Gerald Arpino Foundation is committed to preserving and promoting the choreographic works of Gerald Arpino and Robert Joffrey while maintaining the integrity of their works through the highest level of artistic excellence. The Foundation allows qualified organizations the right to license Arpino’s and Joffrey’s choreographic works and offers repertory workshops, lectures, and master classes to teach a new generation of dancers the choreography and style of Joffrey and Arpino.

For more information, visit arpinofoundation.org.Gerald Arpino by Herbert Migdoll

HAPPENINGS….AN IMPORTANT DANCE EVENT

It is always my pleasure to let you know what is happening in the world of dance in Chicago….and each year I an proud to share the press release announcing the DANCE FOR LIFE event. This annual happening is a not to be missed event. Mark your calendars now, tickets go on sale on JUNE 5th

CHICAGO DANCERS UNITED ANNOUNCES
DANCE FOR LIFE 2023
AUGUST 19 AT THE AUDITORIUM THEATRE

Chicago Dancers United, which supports the health and wellness of Chicago’s professional dance community, announces the program for its 32nd annual fundraiser, Dance for Life, which takes place Saturday, August 19 at 6 p.m. at the Auditorium Theatre, 50 E. Ida B. Wells Drive, Chicago, followed by an afterparty at Venue SIX10, 610 S. Michigan Avenue, Chicago.

The complete lineup of artists includes BOOM CRACK! Dance Company, Chicago Tap Allstars, Giordano Dance Chicago with Giordano II and members of South Chicago Dance Theatre, Hiplet Ballerinas, Hubbard Street Dance Chicago, The Joffrey Ballet, freelance performers Joseph Massarelli and Riho Sakamoto, Moonwater Dance Project, Muntu Dance Theatre, and, for the finale, choreographer Randy Duncan.

Dance for Life 2023 Co-Chairs are Ted Grady, Ross Slotten, Victor Alexander, and Maray Gutierrez.

Dance for Life raises money for The Dancers’ Fund, which provides Chicago dance industry professionals with financial support for preventative health care and critical medical needs. The event showcases the city’s unique variety of dance traditions and styles by bringing together professional dance companies and dancers from throughout Chicago, who unite to support their peers by generously donating their time, energy, and artistry. Throughout its history, Dance for Life has presented more than 40 Chicago-based professional dance companies representing a variety of genres, sizes, and histories and numerous choreographers, artists, and designers. An additional beneficiary of Dance for Life is AIDS Foundation Chicago.The Program (in alphabetical order)

BOOM CRACK! Dance Company combines hip hop styles with curated choreography in Decibel, an excerpt from an evening-length production choreographed by Trae Turner with music by Paul Mond. The work explores frequency and emotions attached to sound, with an eclectic score of lo-fi sample-based production, harsh electronic instrumentals, and energetic music.

Chicago Tap Allstars, which features tap dancers from throughout the Chicago area, including from Chicago Tap Theatre and M.A.D.D. Rhythms, performs Birdland, a joyous dance choreographed by Mark Yonally with improvography from the dancers, to the music of Weather Report. Chicago Tap Allstars aims to bring professional tap dancers together in the spirit of community, inclusivity, and excellence.

Giordano Dance Chicago with Giordano II and members of South Chicago Dance Theatre join forces for Luminescence, created by Kia Smith for Giordano’s 60th anniversary season earlier this year. With music by Coldplay and U2, the work is a true celebration of community, collaboration, and light.

Hiplet Ballerinas, the professional company of the Chicago Multi-Cultural Dance Center, performs React, choreographed by Trevon Lawrence and Anthony Sampson to the music of The Pussycat Dolls. From classical ballet to hip hop, this piece fuses tradition with the energy of dance.

Hubbard Street Dance Chicago offers the full company in excerpts from Busk by Aszure Barton, set to music by Daniel Belanger, Ljova, Camille Saint-Saëns, and David Wikander.

The Joffrey Ballet performs excerpts of Gerald Arpino’s Birthday Variations, which was commissioned by Becky D’Angelo as a birthday present to her husband Dino, who owned Chicago’s Civic Opera House and loved the music of Giuseppe Verdi. Set to Verdi’s infectious opera-ballet music, the work is a sparkling showcase of classical dancing.

Freelance dancers Joseph Massarelli and Riho Sakamoto perform On the Nature of Daylight, a pas de deux choreographed and staged by David Dawson to music by Max Richter. This work explores the idea of love as the ordinary and the extra-ordinary—the many possibilities of finding pure love, a task that binds us as human beings, and a search that happens continually around the world on a daily basis. The piece fully encompasses the idea that love lost remains unforgettable.

Moonwater Dance Project’s work Clarity, choreographed by Hanna Brictson to music by Murcof and Venessa Wagner and Travis Lake, explores the challenge of finding transparency within oneself, taking the performers and viewers on a dynamic journey to discover purity and strength.

Muntu Dance Theatre performs Djeliya, an improvisational work by the dancers that features singing, dancing, and a traditional African drum circle.

For this year’s finale, Randy Duncan revives and expands his world-premiere finale from Dance for Life 2021, As One, with music by Ira Antelis. Created in honor of longtime Dance for Life supporter Harriet Ross, As One drew inspiration from the marches and protests during the pandemic and the hate, but also the love and healing necessary, to survive in this climate.

Chicago Dancers United presents Dance for Life 2023
Saturday, August 19 at 6 p.m.
at the Auditorium Theatre, 50 E. Ida B. Wells Dr.,
followed by an afterparty at Venue SIX10, 610 S. Michigan Ave.

Tickets—$500 for the performance and afterparty,
$25–125 for the performance only—
go on sale June 5 at 312.341.2300, auditoriumtheatre.org,
and the Auditorium Theatre Box Office.
Group tickets (10 or more) are available by calling 312.341.2300.
Special presale May 2–June 4:
$125 tickets are on sale for $75 with code DFL2023.

All programming is subject to change.
The mission of Chicago Dancers United is to foster the health and wellness of Chicago’s professional dance community by providing financial support through The Dancers’ Fundfor preventive health care and critical medical needs. Anyone working in or retired from a professional capacity within Chicago’s dance community—dancers, technical staff, administrators, choreographers, instructors, accompanists, and more—is eligible.

For information, visit chicagodancersunited.org.

Photos by Todd Rosenberg.
Top: Arielle Israel.
Bottom: Devin Buchanan (L) and Fernando Duarte

Copyright © 2023 Chicago Dancers United, All rights reserved.

SATURDAY MUSINGS: MUSIC BOXES AND STRAUSS WALTZES

The Vienna New Year’s Day Concert.

Every year, for as long as PBS has broadcast them (since 1959) I have watched the New Year’s Day concert from Vienna. This year’s was, like everything else, quite different and somewhat strange due to the continuing pandemic. The Vienna Philharmonic played, exquisitely led by our own Riccardo Muti, in the glorious Wiener Musikverein.

Maestro Riccardo Muti

The difference was the orchestra played to an empty hall but had millions of us watching and listening to this annual tradition, now hosted by Hugh Bonneville, who was in the UK. The broadcast will be repeated, in Chicago on WTTW, this Sunday, January 3. It has just been announced that Daniel Barenboim will conduct the 2022 Concert.

Johann Strauss II

This years program was, as usual, mostly Strauss, some of my most favorite music. Why you might ask…from the time I was very young, actually I could say from birth, I was exposed to many types of music in my home. I have always liked classical music, as did my parents…you by now know my taste, in just about everything (including my brain!), is very eclectic that continues in my music choices. At an early age I became obsessed with music boxes and asked Santa for one that played a Strauss waltz. Santa always delivered my wishes and I got a quite charming Swiss music box playing the Strauss waltz, Tales From The Vienna Woods, composed in 1868. https://youtube.com/watch?v=Og3joyCntrI&feature=share

Here is the top of my very old music box which, by the way, still plays!!!! I played it every night to lull me to sleep after Daddy either read me a beloved story or told me his own stories….loved those most of all!!!! Through the ensuing years I always have sound on, when working, reading, doing nothing at all, and even all night. It is truly the background to my life.

The beginnings of music boxes can be traced to Switzerland in 1796 and were small enough to be carried in a pocket, like a watch and often contained a timepiece. The music box as we know it became extremely popular in the mid 1800’s.

A stunning music box

Also, Automatons became highly prized and are now quite collectible

Remember the Monkey Automaton in Phantom of the Opera, it was a pivotal part of the story. He plays the hauntingly beautiful “Masquerade”.

I have, obviously, just scratched the surface of this fascinating subject (perhaps more in-depth research and a second post is in order!) and have mixed several stories in one post….but as I said my thoughts take many, many different directions and I don’t see that changing in this New Year! Stay tuned to see what I’ll explore next!

You knew I’d leave you with a suggested book or two….

All images from Pinterest photo credits unknown. Image of my music box taken with my iPhone.

BOOKS BOOKS BOOKS: A WELL BEHAVED WOMAN

0AFA318D-900A-4DA8-BD08-F2BE8FCB8F5E

By now you know I am obsessed with historical fiction especially when the book concerns “real” people.  When this exceptionally written book came into my consciousness I knew it would be one I would not only enjoy but would devour and, of course, would want to share with you. I was correct in that assumption.  (As usual, I recommend The Book Stall my Independent Bookseller, as your source when purchasing your books.)

The protagonist is none other than Alva Vanderbilt who married into one of the wealthiest, if not THE wealthiest at the time, American dynasties.  Wealth was new to Alva and the story tells us of a world known to very few.  The Astor’s ruled New York Society, especially their Matriarch, Caroline.  Snubbed by Mrs. Astor, Alva was determined to make her place, along with her husband, William, and the rest of the Vanderbilt family to reach the top of the Gilded Age social scene.  And not only did she do exactly that but did it with grace and class  Fowler takes us into this rarified world via, their exquisite homes, think Marble House (The Biltmore is briefly mentioned), the many homes in New York City.  I particularly enjoyed Alva’s forays into every detail of her many homes and her participation with the noted architect, Richard Hunt, in planning the architecture and each and every phase of the construction of the mansions and the interiors from paint colors, fabrics, to furniture….everything!  Having literally millions to spend she thought out every possible item in her homes and became the personification of elegance of her era.

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Alva Vanderbilt

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William Vanderbilt

Marble House in Newport, Rhode Island

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A couple of the interiors …

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Living in a strained marriage, (I’m not doing spoilers here, if you know the background of the era you know of the scandals) Alva made herself a pilar of New York, Newport, Paris and London society in lifestyle including her Charles Frederick Worth wardrobe (you know I enjoyed those descriptions!), the exquisite entertaining….balls, formal dinners…highlighting the developing of the Arts in New York City, making sure her children were exposed to the best of educations, associating with the “right” people (including Oliver Belmont) while respecting everyone no matter their social status…which I greatly admired.  She was always a philanthropist and became very involved in women’s suffrage.  In many ways she reminds me of our own Bertha Palmer as well as others of her time. It gives us details of the women (or The woman, Alva) behind the wealth which was always in the hands of their husbands, fathers, guardians. Fowler’s eye for detail parallels that of Alva’s…her research is impeccable.  Read it you will be transfixed!

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A couple of books to give you thoughts on the food of the time…

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I’m including a recipe for Beef Wellington, which happens to a favorite of mine to serve at special dinner parties.  This recipe is from Epicurious.com

 

BEEF WELLINGTON

FROM EPICURIOUS.COM

INGREDIENTS

    • a 3 1/2-pound fillet of beef tied with thin sheets of larding fat at room temperature
    • 3/4 pound mushrooms, chopped fine
    • 2 1/2 tablespoons unsalted butter
    • 1/2 pound pâté de foie gras (available at specialty foods shops) at room temperature
    • 1 pound puff paste or thawed frozen puff pastry plus additional for garnish if desired
    • N/A frozen puff pastry
    • 1 large egg white beaten
    • an egg wash made by beating 1 large egg yolk with 1 teaspoon of water
    • 1/2 cup Sercial Madeira
    • 2 teaspoons arrowroot dissolved in 1 teaspoon cold water
    • 1 teaspoon water
    • 1/2 cup beef broth
    • 2 tablespoons finely chopped black truffles (available at specialty food shops) if desired
    • watercress for garnish if desired

PREPARATION

    1. In a roasting pan roast the beef in the middle of a preheated 400°F oven for 25 to 30 minutes, or until the thermometer registers 120°F. Let the fillet cool completely and discard the larding fat and the strings. Skim the fat from the pan juices and reserve the pan juices.
    2. In a heavy skillet cook the mushrooms in the butter over moderately low heat, stirring, until all the liquid they give off is evaporated and the mixture is dry, season them with salt and pepper, and let them cool completely. Spread the fillet evenly with the pâté de foie gras, covering the top and sides, and spread the mushrooms evenly over the pâté de foie gras. On a floured surface roll 1 pound of the puff paste into a rectangle about 20- by 12- inches, or large enough to enclose the fillet completely, invert the coated fillet carefully under the middle of the dough, and fold up the long sides of the dough to enclose the fillet brushing the edges of the dough with some of the egg white to seal them. Fold ends of the dough over the fillet and seal them with the remaining egg white. Transfer the fillet, seam side down to a jelly-roll pan or shallow roasting pan and brush the dough with some of the egg wash. Roll out the additional dough and cut the shapes with decorative cutters. Arrange the cutouts on the dough decoratively, brush them with the remaining egg wash, and chill the fillet for at least 1 hour and up to 2 hours. Bake the fillet in the middle of a preheated 400°F oven for 30 minutes, reduce the heat to 350°, and bake the fillet for 5 to 10 minutes more, or until the meat thermometer registers 130°F. for medium-rare meat and the pastry is cooked through. Let the fillet stand for 15 minutes.
    3. In a saucepan boil the reserved pan juices and the Madeira until the mixture is reduced by one fourth. Add the arrowroot mixture, the broth, the truffles, and salt and pepper to taste and cook the sauce over moderate heat, stirring, being careful not to let it boil, for 5 minutes, or until it is thickened. Loosen the fillet from the jelly-roll pan, transfer it with two spatulas to a heated platter, and garnish it with watercress. Serve the fillet, cut into 3/4-inch-thick slices, with the sauce.

Serves 8.

THE nenasnotes BOOKS BOOKS BOOKS POSTS ARE MADE POSSIBLE BY AN ANONYMOUS SPONSOR.  PLEASE CONTACT ME AT nenasnotes1@gmail.com FOR SPONSORSHIP INFORMATION 

Photos are from Pinterest credits unknown. 

WEDNESDAY MUSINGS: HALLOWEEN STORIES

F2CD6998-FFAF-4173-B2F7-41F8C33A07F6I have mentioned that I am asking my friends to be guest contributors to nenasnotes    so on this special day, Halloween,  I am featuring several stories from Virginia Heaven, a historian, teacher, author, curator, raconteur and very good friend, which she has entitled “Halloween: Culture Is Everything”.  You are in for a treat.

6DBC8FC5-499C-4B87-A986-51C3751BF989 This vitrine is up all year in Virginia’s home.  She likes to use her huge collections differently each year and, of course, constantly adds new items…that is what a collector does!  Speaking of collections be sure to check out the Halloween blog post I did for the  Randolph Street Market.

Story #1

Now, I love Halloween (well, the sweet kind). It’s magical because it’s really fun and kind of scary for me all at the same time. I’m from London and in my day (and neighborhood) Halloween was not celebrated. Although there is ample evidence that it was celebrated all over the UK as All Hallows Eve.

When I first came to America, Halloween fascinated me and I gradually began to gather a few decorations, and I loved pumpkin carving. But most of all I loved the children coming around to get their candy. All those kids dressed as their heroes or some fantastic creature, how fun is that? And the tiny ones are so funny!

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When my cousin (who is like my sister) had her first three kids, they lived in a small English town where there was no Halloween celebrations either. So, I would pack up a box in September of all the fun Halloween things I could find and post it off (all big boxes were sent by ship then, remember?) and her kids were the only ones in the town to have a Halloween party which made them very popular! They are all in their 30s now but still remember the box arriving each year and the excitement of opening it to find what was inside! By the time her last two babies were born (now in their 20s) Halloween was popular in Britain too, but I still sent boxes of American Halloween tchotchkes for the parties!

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Story #2

I was dating a guy (who later became my husband, but after this stunt it was by the skin of his teeth!) who loves haunted houses at Halloween. He insisted that I would find it really fun, it was part of his Halloween “tradition” that he wanted to share with me. We found one in Milwaukee that looked pretty good and off we went.

I began to have misgivings when I realized it was a derelict building entirely made over into a pretty spooky looking house. We entered. The actors were excellent, the scenes superb, the lighting magnificent and after the first “scare” I didn’t stop screaming! At first my date, and presumably the actors, thought it was all in good fun, until it was evident I was actually traumatized. I’d never seen anything like this; I put my coat over my head (sobbing) and was led outside. The people in line were very excited when they saw the state I was in—“wow! It must be great!” I heard someone say…

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Needless to say I have never entered another Haunted House, and after about five years I forgave the man I married, but I still shudder at the memory.

Story #3

I have been to Mexico twice to celebrate The Day of the Dead. The first time was after the loss of my Father and a beloved Aunt. I went to Mexico City by chance was still grieving but, I had a wonderful time. It was colorful with alters everywhere and in the Zócalo there were orange marigolds and magenta cockscomb flowers laid out in patterns: beautiful. It was a wonderful and strangely healing experience because there was an acceptance of the inevitability of death rather than a resistance to loss.

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Some years later I was in Oaxaca at the same time. That time was very different, just as moving but more visceral. I was taken to a graveyard where families sat around graves sitting with and laying out offerings of food to the dead. It was very dark and the graves were mounds of earth with simple crosses. Death felt present rather than removed under heavy stone monuments. As the night progressed more and more people arrived and they brought candles and flowers and eventually it was as light as day in the candlelight and the atmosphere was quietly celebratory. It was a very beautiful and soulful experience.

1C1E9001-D7CF-49CF-8B83-D36DD3A46AC7989C7D1E-40FF-4599-B860-1BF26425BD000E22D125-1FFC-46F7-9F96-DD2D77FEB59A37AF4589-C754-4D30-AF64-205E86D503F7All above photos courtesy of Virginia Heaven….a million thanks for the wondeful Halloween memories and the awesome decorations….what a way to begin my guest posts!!!!!

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Above photos from Pinterest photo credits unknown.

Love these charming plates from Williams-Sonoma.

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Hope I get these in my treat bag……

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PROFILE: SWAN LAKE JOFFREY BALLET STYLE

 

68FAED15-9001-4ACF-883F-EA75CFAAC1D5       Swans in a peaceful country setting on an exquisite fall day.  Photo credit, Nena’s iPhone.

i have always been enamored with the beauty of swans as well as adoring ballet since I was held on my Father’s lap to see the majesty of Pyotr Ilyich Tchaikovsky’s ballet Swan Lake, created in 1875-76, the first of his classic trio of ballets that include Sleeping Beauty and The Nutcracker.  Swan Lake, an initial failure, has become one of the most popular of all ballets.  I have seen dozens of performances of this well known piece and until now my all time favorite interpretation was with Margot Fonteyn and Rudolph Nureyev….now tied for first place is the current production of Christopher Wheeldon’s reimagining of the story of a swan brought to life and love by her prince.

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There are so many elements that I adore about this version, I must say Wheeldon’s imagination, in all he creates, is at the top of my list.  From the Joffrey’s reimagined Nutcracker, to the critically acclaimed  musical An American In Paris, his vision takes us to places not seen in dance productions before and quite frankly isn’t that what a choreographer should do…in my opinion, yes, they should. Wheeldon along with Joffrey’s dynamic The Mary B. Galvin Artistic Director, Ashley Wheater and forward thinking, President and CEO, Greg Cameron have succeeded in making my favorite ballet company world class. The Company can, most certainly, make us proud on the world stage.  When Robert Joffrey and Robert Arpino brought the Joffrey to Chicago, as a visiting company, I fell under their spell….fortunately that spell has not dissipated over the years it has just gotten stronger and as a native Chicagoan and lover of ballet I am so proud they are ours!!!

Using the background of the Paris Opera Ballet and Impressionists Edgar Degas and Henri De Toulouse-Lautrec to set the scene, we are transported into a beautiful world of sets and costumes (watch for an upcoming posts on the costuming for the Joffrey’s Spring World Premiere of Anna Karinina).  The principles, and there are several couples in the two week run which ends on Sunday, October 28th, are breathtakingly brilliant, the dual role of Odette and Odile, one of the most intricate in any ballet, is matched to perfection by the Corps de Ballet….gorgeous!  Let’s not forget the male dancers…beyond perfection. The following photos were taken at our unparalleled, The Art Institute of Chicago, in front of some the iconic Impressionists paintings.

Ballerinas Dara Holmes, Yumi Kanazawa and Brooke Linford photograph by Cheryl Mann.

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The painting in the background of the photos that hangs, along with other superb Degas works at The Art Institute of Chicago.

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Another of our Degas paintings that inspired the production. Both above images found on Pinterest no photo credit available

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Jeraldine Mendoza and Grieg Matthews photograph by Cheryl Mann.

My thanks to The Art Institute of Chicago’s Gloria Groom and Nora Gainer and Joffrey’s Vicki Crain for giving me permission to share these images with you, I am forever grateful!

I have to admit I had tears of pure joy at the end of the opening night performance and to read the glowing reviews, by all media, was gratifying to say the least….I would have lost all respect from the critics if they been anything less. The long standing ovation and shouts of bravo were beyond perfection.  Run don’t walk to get your tickets for a not to be missed cultural experience, it ends Sunday, October 28th.

 I had to share the following photos with you of the daughter, of my dear friends Stephanie and Cory Lake, Odette (you read that correctly and yes, she is named for our heroine).  I did a week of posts on Stephanie in 2016, check the nenasnotes archives they are fascinating insights into a creative mind. That mind has translated to the Lake’s precious, about to be 5 year old, child. Don’t tell her but I am doing a special Birthday post for her.  Here a taste of our budding ballerina, prepare yourself Joffrey Ballet!!!!!

Looks more Odile than a Odette….versatile our little Diva at ballet class and in her swan print skirt at Pre-School….the theme continues….photos courtesy of Stephanie Lake.

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Could there be a book any more perfect, I think not!!!!!

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Both swan photos found on Pinterest photo credits unknown.