COLLECTIONS: VINTAGE PORTRAITS

 

image

Vintage portraits a super collectible in so many ways. You can make-up your family tree if you so desire, do fabulous wall displays, research the history of itinerant painters and naive paintings….the list goes on. What is the picture that I am opening with today, it is mine, sits on my desk purchased, (if I turn my head slightly to the right it is in my view while I am at my lapto)  a zillion years ago at RSM (Randolph Street Market www.randolphstreetmarket.com is Saturday and Sunday, September 23 and 24 from 10 to 5….it is the last outdoor Market of the season, it is, of course, year round inside Plumbers Hall!) it is an oil on wood and I have decided it is me with my. Mother, Ruthy. The frame is in disrepair but I like it that way (Tommy this one is for you!!!)

Come to Randolph Street Market this weekend and find one, two or more to add to or start a collection.  I am featuring some of my favorites as well as introducing you to Melissa Parks who will be at RSM with some of her treasures. Melissa is one of my most admired and go to vendors she has amazing taste and vision with her own collections and she gathers many, many, many items to share with you when she comes to RSM, a must visit booth….and I am absolutely mad for her Instagram posts you can follow her @megillicutti, you won’t be sorry.  l’ll try to convince her to do a Monday Profile…really want to know more about her and share her story with you…fingers crossed!  I asked her to take a couple of photos of her collection of portraits that she displays with her multitude of collectibles.

imageimageimageimageEach definitely has a story to tell.  I particularly like the gentleman who is looking directly at us…what is he saying with his very blue eyes and jaunty mustache!!!! Love all of them.  Melissa, thanks so much for sharing.

Portraits have always been with us and a way not only to capture loved ones but yourself as well.  Here are a few I found on Pinterest and have added to my favorites list.  I actually don’t collect them myself, but you know I have limited space, maybe I will start with some “smalls”!!

imageIsn’t she a charmer with the pearls and magnificent hat.

imageReally, really old but I really, really like her gaze and the primitiveness of it (is that a word!!!!)

image

 

imageI believe a Chagall…

image

image

image

imageMy photo at RSM, frames all ready for your art!

image

image

imageJust a few suggestions on how to display your collection.

Another vendor I always visit at RSM  is Kevin Gorsch, find him in the Ballroom of Plumbers Hall and follow his Instagram @redleopardcrocodilevintage.  Kevin and I have known each other for years and, in fact, spent many a Sunday getting treasures at the Sandwich Flea Market.  He has shared a couple of portraits with me to pass along to you and included his entrance hall wall where he houses his “family” portraits!!

imageA pastel done by an American in Paris at Le Montmartre.

imageA portrait of Kevin at 13 from a show in San Antonio, no art could be more than $10, it was called the Starving Artists Show, no wonder!

imageKevin done a couple of weeks ago at the Lakeview Festival of Art.

image

All of Kevin’s pieces photographed by him.  Huge thanks to Kevin for sharing some of his unique treasures with us.

imageShe is my favorite find on Pinterest…I have become addicted to the site.  I have always be a “clipper” it is in my DNA both my Mother and Father were clippers and I am proud to carry on in the family tradition…I must admit I still pull things out of magazines and newspapers but with all the ways you can save on the Internet I am in pig heaven!

Unless otherwise noted all photos are from Pinterest credits unknown.

I just heard on the Channel 7 News that The Hungry Hound’s www.abc7chicago.com/hungryhound featured restaurant tomorrow night will be one of my new favs and one I reviewed several weeks ago…PROXI www.proxichicago.com.  Emmanuel Nony promised to give me a recipe so here it is….enjoy and do go to the restaurant and enjoy a fantastically creative menu.

PROXI Restauran Andrew Zimmerman, chef

Fried Fish Collars with Thai garlic-chili sauce

Serves four

8pc fish collars, about 6oz each, cleaned by your fishmonger

or 2 whole fish (red snapper for example) about 1.5-2 lbs each, cleaned by your fish monger or and fish fillets that you like (one per person about 5-6oz each)

½ cup white rice flour

2 tbsp tempura flour

1-2 tbsp salt

2 limes, cut into wedges

12-16 sprigs of cilantro

8 cups vegetable oil (or enough to fill a Dutch oven or wide pot to a depth of about 6 inches)

Sauce:

2 tsp vegetable oil

3 tbsp minced shallots

1.5 tbsp sambal oelek

3 tbsp chopped cilantro

1 tbsp minced garlic

2 tbsp fish sauce

2 tbsp sugar

¼ cup tamarind water (made from 4oz seedless tamarind and 3 cups water…warmed up…mashed and then strained)

Pre heat an oven to 200 F.

Pre heat the oil in a wide pot or dutch oven to 350 F.

Have a sheet pan lined with paper towels topped with a rack handy.

To make the sauce, heat the vegetable oil in a sauce pan.  Add the shallots, cilantro and garlic.  Cook for about two minutes until the shallots are softened.  Add the samabal, fish sauce, sugar and tamarind water.  Cook about three minutes more.

Remove from heat and keep warm.

For the fish collars,  lightly season the collars with salt and them combine the rice and tempura flours.  Completely coat the collars in the flour mix and add them in batches to the hot oil.  Fry about 4-5 minutes or until lightly golden brown and hot all the way through.  As the collars are finished remove them from the oil and put them on the rack over the paper towels to drain.  Keep warm in the oven as you cook the remaining collars.

To serve:  put some of the sauce down on four plates.  Top the sauce with the fish collars. And then some cilantro sprigs and the lime pieces.

Serve.

Nena’s note…I am suggesting a wonderful dry white wine or champagne.  It is a delicious dish, enjoy!

 

 

 

 

 

 

 

 

COLLECTIONS: PERFUME BOTTLES PART 1

I know all our thoughts and prayers are with the citizens of Houston and the other areas devasted by the hurricane and torrential rains.  While watching the heroic efforts by so many to help others we realize how much good there is in the world even in tragic times.  Perhaps not a time for trivia, but perhaps just the thing to take our minds to a subject that has been around for centuries and know that civilization will survive.

image

Miniature perfume bottles in a shadow box put together by one of my assistants many years ago. The batting was added by the Columbia College Archivists. My perfume bottle collection is a part of the Nena Ivon Archives at Columbia College Chicago. My photo.

Sorry for the delayed postings…I have had some major tech problems…let’s hope they are resolved, shall we see…Tom H. I’m relying on you!

When I was in retail I had the privilege of attending many seminars on fragrances and launches of designer and unique perfumes.  During that time I collected many miniature perfume bottles, all tiny replicas of the full product.  I tried to keep all the boxes (you all watch Antiques Roadshow and they tell us to keep toys, etc. in the original packaging!) In some cases we received full-size bottles and I kept those as well.

Today’s post is about the bottles and packaging not the juice nor the history of perfume…we will get to those interesting facts in future posts.

Let’s begin with a most unusual launch we did at Saks Fifth Avenue, Chicago in 2005 with a personal appearance by the creator of many of the perfume bottles, we admire and wear, who created his own fragrance, Marc Rosen, and Shanghai. I had a lot of fun planning the launch and called upon my dear friend, Greg Hyder, The Peninsula Hotel, Chicago’s, Catering Director extraordinaire, to assist me by allowing me to use the charming wait staff from their Shanghai Terrace as well as serving their special hors d’oeuvres and a signature cocktail created for the event.

imageA must have for your fashion book library.

IMG_0287Marc autographed each bottle purchased….here is mine which is housed in the Nena Ivon Archives at Columbia College Chicago.

IMG_0286Marc Rosen signing my bottle.

IMG_0288The exquisite packaging designed by Marc Rosen.

imageThe Shanghai Terrace servers. All the above photos are from the Nena Ivon Archives at Columbia College Chicago.

imageA photo I took in my library of some of the special bottles I still have.  The Norell miniature is from the relaunch of the fragrance that Neiman Marcus did a couple of years ago.  Same packaging a slightly updated fragrance.  Center is the iconic Chanel No. 5 which was given to me when I visited the Chanel apartment on my 50th Anniversary trip to the Haute Couture Collections, that shall stay with me awhile before going to my Archives, and the vintage bottle of Shocking by Elsa Schiaparelli. I did have the box but it was unfortunately destroyed…must find another one, that is the fun of the hunt for things you collect.  I am also looking for an original Lanvin Arpege.

imageSaks Fifth Avenue launched the Bob Mackie, Mackie fragrance in 1991, here is the relaunched signed piece in a limited edition for the Costume Council of the Chicago History Museum’s celebration in honor of Bob’s Designer of Excellence Award in 2015.

image

One of the oldest perfume companies still in existence, Guerlain.  My mother’s fragrance, L’heure Bleu launched in 1912,  her bottle has a bit of juice and it still has the scent…it is Mom in a bottle!  My father gave her the entire set of product each Christmas until his death, I continued the tradition.  I think the Guerlain bottles are exquisite as are the fragrances.

imageMy bottle of my fragrance, Marilyn Miglin’s Pheromone.  I have worn it since its inception in 1978.  Marilyn’s story is a fascinating one, she went to Egypt to the research the oils, etc. used in ancient times and found many of the jars still held the scent…amazing.  I always get compliments on it.  As an aside, Marilyn was one of my small group of models back in the day! She was and is a stunner!

IMG_0334Kay Dobson. the Fashion Director at Saks Fifth Avenue, Chicago when I started and my second mother.  Joy was her fragrance of choice, here my bottle again a classic and one I will discuss when I do the Haute Couture designer perfumes.

imageTwo Jean Paul Gaultier fragrances, I don’t know where their caps are, that are going to my Archives…I just found them tucked away!  You note the bottles are inspired by the Shocking bottle, which was fashioned after Mae West’s silhouette.  Gaultier’s first fragrance bottle was inspired by Madonna!

imageThe packaging of fragrance and cosmetics is what draws us into the product…its all about marketing and appealing to our senses.  What I love about this piece is that it is housed in a square box, approximately 5″ x 5″ and opens to reveal a Chanel runway complete with the iconic Chanel mirrors, chairs set up for a fashion show and Mlle. herself with a mannequin on stage…I think one of my most favorite pieces in my collection…I think I will keep it for awhile!

image

As always with my Collections posting I advise you to attend the Randolph Street Market www.randolphstreetmarket.com to see what you can find…this time Perfume Bottles.  Also, check your favorite stores for the classics even if you don’t wear them you can add to your vanity table.

More perfume bottles in the next Collections posting….in that post we will explore vintage collectible bottles, not by brand.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

COLLECTIONS: ART POTTERY

imagePhoto was taken from the Pottery Boys website.

I have been posting about the Pottery Boys  www.potteryboys.com this week and their open house this Saturday, August 19th.   The piece above is from their vast collection, each piece I feel is extraordinary.  I wanted to share a few more of their pieces, a glimpse into the creativity of David Erpenbach, another skilled artist, and delve into a collection at the Chicago History Museum www.chicagohistory.org

imageOne of the Pottery Boys pieces and an up close photo of the special top. The details look like jewelry.  Both photos were taken by me in their Studio. image

imageAnother from their website.

imageAnother photo I took in the Studio.

imageFrom Tom Mantel and Tom Hawley’s Collection, I featured the grouping of three pieces in another post here is the very large piece close up and then the exquisite detail of the top of the sculpture and the intricate almost lace like work of the body of the piece.

imageimage

While I was preparing this post my thoughts wandered back in time to the apartment of a dear friend and colleague at Columbia College Chicago, Dianne Erpenbach and her husband, Jon, and their collection of their son, David’s unique, and wonderful art pottery.  Why don’t ask me, I haven’t thought about it in years.  I contacted Dianne who in turn let David know I was interested in seeing his current work.  I asked him to share his thoughts as well…you know I will do that!

Here are those thoughts and some of his special pieces:

“I use traditional wheel thrown and hand built techniques to begin all of my pieces. My vision is to take traditional pottery forms and make them more unique by cutting, altering and adding several thrown and hand built pieces to create one final form. Some of my pieces may use up to ten or more thrown or hand built pieces to create one piece. I do not use molds so all of my pieces are original and one of a kind. My experience with firing includes High Fire reduction, High and Low Fire oxidation, Soda Fire, Salt Fire, Pit Fire and Raku. I have five years of learning and experimentation during my undergraduate study at Northern Michigan University where I completed my Bachelor of Fine Arts with a studio concentration in ceramics.”

imageDavid Erpenbach at his wheel.

image

image

image

image

imageMy favorites of David’s work…as you know I am a green girl, but these really drew me into them.  All above photos courtesy of David Erpenbach.

The Midwest is known for its pottery, think Ohio for an example, McCoy, Hall, Shawnee, USA, actually a mark not a brand, (all of which I collect in white, you have seen some of that collection, and some green pieces).  Roseville, Rookwood, and Weller, of course, and all the Arts and Crafts designers and Mid-Century artists.  The subject is huge and I will probably do future posts on it but I wanted to do a short photo essay on Teco which was/is done locally.  “The American Terra Cotta Tile and Ceramic Company was founded in 1881 in Terra Cotta, Illinois between Crystal Lake and McHenry.  It became the first American manufacturer of architectural terra cotta (I did a post on terra cotta a few weeks ago in my Thursday Collections series). The founder William Day Gates began experimenting with clays and glazes for art pottery which introduced TECO Pottery (TErra COtta) in 1899.  It is known for it’s Teco Green glaze, a smooth, microcrystalline, matte.” (Source Wikipedia).  I like to credit as much as I can to local resources for nenasnotes and I found several pieces housed in our Chicago History Museum Collections www.chicagohistory.org all from around l905.

image

image

imageThe three pieces above are in the Chicago History Museum Decorative Arts Collection.

imageThis piece found on Pinterest photo credit unknown.  I think it is stunning.

imageAn out of print book….if you are interested I would suggest an internet search.

Of course, you will find many, many art pottery pieces to add to or start your collection at the Randolph Street Market www.randolphstreetmarket.com Saturday and Sunday, August 26 and 27 from 10 to 5.

 

WEDNESDAY MUSINGS: POTTERY BOYS PART 2

imageKeith Herbrand and Glenn Woods in their Studio-Showroom Pinterest photo credit unknown.

I presented the Pottery Boys to you in Monday’s Profile now let’s hear about the actual process from clay to finished product.  Do settle yourself, this will be a very detailed and interesting post, but I’m sure you will agree well worth the read, it is fascinating!  Here in Glenn’s words……

imageClay Pinterest photo credit unknown.

“Making pottery is a multi-step process: Making and trimming the piece; altering/piercing/beading the piece; bisque firing; glazing and firing; post glaze finishing
Making and trimming the piece
Each piece starts out as a simple lump of clay – we generally start with 2 to 8 pounds of clay depending on the project. Our pieces tend to be more on the small to medium sized so 2 to 4 pounds usually does the trick. We first center the clay on the potter’s wheel – open the mound of clay to make it hollow and then thin the walls to make the walls taller and uniform in thickness. Once we have established a nice cylinder, we begin pushing the cylinder into shape. We make bottles, vases, mugs, bowls, plates, and other more decorative forms.
image
Altering/piercing/beading
After arriving at a pleasing shape, the piece is allowed to dry to the point where it holds its shape and can easily be handled to trim away excess clay – this stage is called “leather hard”. It is also at this stage where I will begin altering the shape – pushing the form out of round, creating grooves, creases, folds, or spiral patterns. I also begin to carve the piece at this point. Some of the pieces are given flower-like imagery on rims of plates, the body of a pot, or the neck of a vase. I also use a squeeze bottle filled with clay the consistency of frosting (called slip) to place beads on the surface – usually in conjunction with altering and/or carving to enhance the design.
image
image
imageFrom the blank to the piece ready for firing.  Photos taken by Nena in the workshop, last photo taken by Glenn.
Bisque Firing
Once the altered/pierced/beaded piece is finished it is allowed to air dry for a couple of days, making sure it does not dry out too quickly – rapid drying may lead to cracking or structural problems. After completely dry, we place the piece in a kiln and bisque fire to drive out all the chemically bound water – this renders the piece to a stable stage, no longer able to reclaim into soft pliable clay. After cool from the bisque firing, we sand the piece and wash it to remove any dust or unwanted texture.
Glazing and Firing
We sketch each bisque piece ready to be glazed, I indicate on the drawings what glazes are going to be used and in what order. I like to layer my glazes so there may be as few as 2 layers but as many as 8 layers of contrasting colored glazes. These crystalline glazes are very fluid during the firing and require a pedestal and glaze catcher – the glazed piece is mounted on a riser and then placed in the glaze catcher, which catches the glaze that flows off the piece and over the pedestal.
We firing the piece to 2350 degrees Fahrenheit to fully melt the glaze. This temperature is called “cone 10” in potters terms. Once peak temperature is reached, we quickly lower the temperature to 2000 degrees and begin a very slow cooling process to grow the crystals – this cooling cycle can take upwards of 8 hours or more. Once the crystalline growth cycle is done, the kiln is allowed to cool naturally to about 150 degrees Fahrenheit and unloading the kiln begins.
Post firing finishing
Once the pieces reach room temperature, we are able to remove the pedestal – removal of this piece leaves the bottom dangerously sharp and much care needs to be taken to remove the razor sharp edge. We use a diamond disc to grind the bottoms smooth and give a slight bevel to the outside edge of the piece. At this point, the piece is finished. However, we have been using a few specialty techniques to enhance the color and visual quality of the crystals. One such technique is referred to as “Acid Etching”. Soaking the finished piece in an acid bath (muriatic acid or sodium bisulphate) for increments of 15 minutes – washing and drying the piece after each 15-minute soak to see what has happened to the piece. We do this in 15-minute increments because you can go too far and once acid etched, the only way to reverse the effect is to refire the piece.
The other technique we use to alter color is called “post fire reduction”. We place the finished piece in a reduction chamber (basically an old kiln we use to heat the pieces up in) We use propane to heat up the reduction chamber to 1500 degrees Fahrenheit with a propane burner. Once we reach 1500 degrees, we choke off the oxygen supply to the burner, the propane needs oxygen to burn so it depletes the oxygen from the kiln chamber, once that has been depleted, it begins taking oxygen from the glaze layer, turning the titanium creams and tans to purples and pinks. It also will turn copper green glazes into copper red glazes. This color shift is permanent and can only be reversed by re-glazing and firing again.
That is the process in a nutshell.” Nena’s note, some nutshell!!!!
imageA finished piece photo taken by Nena with iPhone 7 on site.
imageA close up of a finished piece.  Photo by Nena on site.
image
imageA finished piece in the Mid-century home of Tom Hawley and Tom Mantel with a close up of the detail.  Photo taken by Nena.
More on pottery tomorrow in Collectiions.
I hope you can come to the demonstration and Open House to see all these gloroous pieces in person.  In the meantime go to the Pottery Boys website www.potteryboys.com
image
Nena’s Weekly Recipe
Creamy Corn Pasta with Basil from the New York Times/Melissa Clark
(If you don’t have the New York Times Cooking App, I suggest you get it immediately, not only are there amazing recipes but you can save yours to the site as well…it is fabulous!)

Ingredients

  • Fine sea salt
  • 12 ounces dry orecchiette or farfalle  (we did orecchiette)
  • 1 tablespoon olive oil, plus more for drizzling
  • 1 bunch scallions (about 8), trimmed and thinly sliced (keep the whites and greens separate)
  • 2 large ears corn, shucked and kernels removed (2 cups kernels)
  • ½ teaspoon ground black pepper, more for serving
  • 3 tablespoons unsalted butter
  • ½ cup grated Parmesan cheese, more to taste (we did more, actually much more!)
  • cup torn basil or mint, more for garnish
  • ¼ teaspoon red pepper flakes, or to taste
  • Fresh lemon juice, as needed

Preparation

  1. Bring a large pot of well-salted water to a boil. Cook pasta until 1 minute shy of al dente, according to the package directions. Drain, reserving 1/2 cup of pasta water.
  2. Meanwhile, heat oil in large sauté pan over medium heat; add scallion whites and a pinch of salt and cook until soft, 3 minutes. Add 1/4 cup water and all but 1/4 cup corn; simmer until corn is heated through and almost tender, 3 to 5 minutes. Add 1/4 teaspoon salt and 1/4 teaspoon pepper, transfer to a blender, and purée mixture until smooth, adding a little extra water if needed to get a thick but pourable texture.
  3. Heat the same skillet over high heat. Add butter and let melt. Add reserved 1/4 cup corn and cook until tender, 1 to 2 minutes. (It’s O.K. if the butter browns; that deepens the flavor.) Add the corn purée and cook for 30 seconds to heat and combine the flavors.
  4. Reduce heat to medium. Add pasta and half the reserved pasta cooking water, tossing to coat. Cook for 1 minute, then add a little more of the pasta cooking water if the mixture seems too thick. Stir in 1/4 cup of the scallion greens, the Parmesan, the herbs, the red pepper flakes, 1/4 teaspoon salt and 1/4 teaspoon pepper. Sprinkle with fresh lemon juice to taste. Transfer to warm pasta bowls and garnish with more scallions, herbs, a drizzle of olive oil and black pepper.

We added sliced grilled chicken to it.  It is truly delicious….make it you won’t be sorry!  Served with my usual simple green salad and vingerette and, of course, lots of rosé or white wine!  We did my Strawberries Romanoff for dessert.

PROFILE: THE POTTERY BOYS

imageI had the great pleasure of seeing the Pottery Boys in action this week and I wanted to share their story with you.  I will be doing so in several posts this week and invite you to their pottery demonstration and open house on Saturday, August 19th in Blue Island, Illinois (see the bottom of this post for all the deets!)

How you might ask, did I hear about this talented duo…my dear friends (family), Tom Mantel and Tom Hawley have been collecting their pieces for several years and I have admired their pieces in their Mid-Century home (a post in the future!).

imageThree pieces from The Toms collection…aren’t they stunners!  The detail and shading are amazing let alone the size of the center piece.  I do love them against the brick wall in the living room, modern pottery coming from the earth against brick also coming from the earth and tracing Blue Island’s roots as the “Brick Capital of the World”!

Over the years I have admired the pieces and have said I wanted to meet Glenn Woods and Keith Herbrand, I had that opportunity this week and was totally enamored with the process.  It was quite the experience to see Glenn in action and learn more about the art of potting (I’ll share that story later this week).

imageWhat Glenn was working on when I arrived at the workshop.

image

Finishing the piece in very short order! Ready for decorating and then firing.

imageOne of the three kilns.

imageA portion of my workroom tour.

imageA selection of leaves waiting for their color to be applied.

image

Heart shaped leaves (I will think they are inspired by my beloved redbud trees see the glorious weeping redbud, below, in The Toms garden!).

image

As is usual I ask my “Profiles” to answer a questionnaire…this one has been tailored especially for The Pottery Boys and Glenn graciously answered my questions, you will read much more on his technique later in the week, and Keith gave me a tour of some of the finished product.

imageSome of the finished pieces.

imagePieces of Keith’s creativity.

When did you start doing your art and why pottery?  (I am the daughter of an artist so perhaps I view art differently, I hope so!) 
I have always loved making things and as a child would sew dresses for my friend’s dolls, or style their hair, or crochet something – I also had a learning disability – reading and grasping abstract concepts was difficult for me so I would often seek art as a way to feel productive. I was in special education from 3rd grade to 6th grade and I remember hearing that if you couldn’t do math, science, or read well, they would put you in art class – Thank God for art classes, that is where I found myself and was able to grow.
It was my high school teacher – Judy Wenig (who I am still friends with today) who introduced me to clay as well as a host of other art mediums but I fell in love with clay the moment I sat down at the potters wheel. My first piece was dated 1974 – I still remember that piece and how it gave me hope for my future as a potter.
 Has your aesthetic changed over the years, if so how? Has it just evolved or has your style changed completely?
I tell people all the time that my style has changed dramatically over the years – and it has. However, recently I met up with a college friend who was also an art major – he found me at an art fair in Indianapolis. My work has gone through so many changes as I explore different techniques and ceramic materials, so I was excited to show him my new work – but he said “I recognized your work instantly” I was shocked. At first I took it as a disappointing suggestion that I have not grown at all but the more I think about it, I guess it is a complement. No matter how many changes and transformations my work takes, there is still something there, a common thread that is evident despite the changes – to an artist this is a great compliment.
 
Where do you get your inspiration for your pieces?
I sketch a lot – I dream a lot – I admire other artists’ work a lot. You can see influence from nature in most of my work – some people see suggestions of gourd shapes, flowers, twisting branches, and even patterns found in snowflakes. The truth is, I never look at a flower and say – “I am going to incorporate that in my work” it just seems to surface as a desire to design, decorate, or create patterns. The general public tend to find the influence by asking if I was influenced by something specific – wow, I can see your influence from Asian potters, or lotus blooms, or . . . I often discover my influence through other peoples observations.
 
Do you do commissions?  How do they affect your creativity?
I will do commissions but only on rare occasions – when I feel the commision will take me down a path I would like to explore, I go for it. However, I NEVER take a deposit and I ALWAYS say, I will give it a shot and then move on from there. I do not like to spend time chasing after another person’s dream – If I can’t capture what they are looking for in the first series, I suggest they find an artist whose style is more closely aligned with what they are looking for. I work in small series – 6 to 10 pieces, if they cannot find one piece in that series that meets their needs, we both go our own way and I have a few new pieces to show. Chasing after commissions tends to disrupt the creative process.
 
I understand that you spend your winters in Florida how does that inspire you?
I became a full time potter in 2001 and moved from Evanston, IL to Palm Harbor, FL because Florida has so many outside art fairs, an artist has shows to pick from year ’round. I have never liked the heat and I am not into beach life so the influence one might think I would get from living in Florida is very limited. The greatest change to my work is color – when we lived in the midwest, my colors tended to be more neutral – browns, tans, rust, deep blue, and dark greens. These colors do not do well in Florida so we now use lots of lighter colors, teals, emerald greens, deep blues – very water borne colors. I am color blind – not totally but I never know what color I can’t see until we are talking color variations and then I am in big trouble – in mixing glazes, my thought process is more focused on the chemistry rather than the value or depth of color – when glazing I am looking for a color blend from light to dark to create weight and a sense of depth so it is less about color and more about how the colors interact, blend, and work to create that sense of depth – even if you were viewing the piece in black and white.
 
Why do you create in Blue Island?
I often say, Blue Island found us, we did not seek out Blue Island intentionally. After moving to Florida, we decided to establish a home base back here in the midwest – especially after deciding to participate in summer art fairs for 4 months out of the year – traveling back and forth was not an effective way for us to live and we needed a place to work and live for the summer months while participating in the art fairs (without relying on staying with family or friends). We met Bridget Scales at the Bucktown Art Fair – she told us of a building in Blue Island that might just fit our needs – a year later, we moved in and love the building, the town, and especially the Blue Islanders – Blue Island has a rich history and those who live here love it’s history and work hard to keep the city alive.
 
What would you do if you weren’t artists?
I would be a philanthropist or a counselor/psychologist – I have always wanted to help people – especially where people feel tormented by the contrast of who they are and who society wants them to be. Growing up gay in a small farming community where my best friends were Amish kind of set the tone for my life. Needless to say, I was surrounded by very conservative people whose thoughts and advice was not real supportive – not only of my sexual identity but also my desire to create. I remember my mom telling me “little boys DO NOT sew dresses” or crochet or play with hair. She caught me sewing in my bedroom one day – the others were outside playing. She was so appalled at what i was doing, she wrapped a towel around me and paraded me around the others while singing here she is, Miss America. It was great fun for her but I was totally humiliated (too much information, I know but artists do struggle to find ways to express themselves that are socially acceptable, a lesson I learned at an early age)
 
What are your passions outside of your talent?
I am a total clay geek, so I do not have many interests outside of my clay work – I do like to write – especially about my work in clay. I recently have had 5 articles published in “Pottery Making Illustrated” I also have a passion for helping people, looking for ways to build self worth. While I enjoy music, theater, I would not say I am passionate about those things. I love to invent, I love to talk to total strangers, I love to express my love and gratitude, I also can’t contain my distaste for something – like a political figure that seems to be misguided (in my own opinion, of course).
Informaion on the Pottery Demonstratons from noon to 5 and the Open House from 6 to 9

Saturday, August 19 – noon to 9pm
13201 Olde Western Ave. / Blue Island, IL 60406  /  727-504-6200

Glenn Woods and Keith Herbrand will be hosting an open house in their Blue Island Gallery on Saturday, August 19th. Glenn will be conducting pottery demonstrations from noon to 5pm while Keith tends to the gallery. The formal Open House will be from 6pm to 9pm with light snacks and refreshments. Several local artists will also be participating offering: Original Paintings; Mosaics; Jewelry; Ceramic Arts; and Pottery.

The gallery is located in Blue Island on the north side of the Cal-sag Canal, just under the Western bridge.

Glenn and Keith are full time potters who reside in Palm Harbor, Florida but have been summer residents of Blue Island since 2004. They have a formal open house once each summer due to their hectic summer art fair schedule. You can see their work at many local art fairs including: Chicago’s Old Town Art Fair; Chicago’s 57th Street Art Fair; Downtown Geneva Art Fair; Lake Forest’s Art Fair on the Square; Naperville’s Riverwalk Art Fair; Park Forest’s Tall Grass Art Fair. If you are unable to make it to those art fairs, this is a great opportunity to see their work AND to watch Glenn as he creates pottery on the potters’ wheel from noon to 5pm.

There will be several local and regional artists represented – all will be present to chat a bit about their work.

Crystalline Glazed Pottery – Glenn’s pottery is made out of fine porcelain and glazed with a specialty glaze called Crystalline Glaze. These glazes are noted for their ability to grow crystals in the glaze layer during a complex cooling process during the glaze firing. By altering the firing temperatures and the duration of the firing, special effects and wonderful visual texture can be achieved.

We are inviting you to come out for the day or evening to see our work, meet the artists and enjoy the company of art lovers. You can come out for the demonstrations – visit one of the many wonderful local restaurants in Blue Island, Midlothian, or Crestwood and then come back for the Opening to wrap up the day.

All photos were taken on site by Nena.

FASHION FLASHBACK: JUDITH LEIBER AND MORE FANS…

imageI had the pleasure of working with Judith Leiber on several occasions, each visit was a total joy.  In addition, she always invited me to visit her showroom/workrooms when I was in New York.  They were like a museum truly something to behold.  The pride level of the talented craftsmen quite frankly was something I have only seen duplicated in the Ateliers of Paris Haute Couture.  I think everyone only thinks of her beaded bags, which are exquisite works of art, but she also did skin bags, leathers and suede as well as fabric bags for day in addition to her overwhelmingly prolific collection of minaudière.  She would open a cabinet in her showroom that revealed a wondrous collection of very special pieces and always say, “choose whatever you like!”  If only, it was totally against store policy (Saks Fifth Avenue) to accept gifts from designers or vendors.  Unless the designer asked me to wear something from the collection we were featuring at a show (I was a sample size in those long ago days!!!), I bought what I wore at all times. I do own several Judith Leiber bags both day and evening and treasure each of them.

image

Two bags from her fan collection (I included these at the end of yesterday’s post as a teaser, did you guess who I would be featuring today, of course, you did!) Each season there were animal bags, a themed collection, and her classics, always something extraordinary to add to your collection or start a new one.  She would also do special orders, perhaps just a color change.  You will see her bags on every red carpet as well as in the hands of royalty and our own First Ladies.  She was a major star with no star ego, a true icon in the industry.

image Judith Leiber in her workrooms in the early years.  The following is an excerpt from the Museum of Arts and Design and the Leiber exhibition that is closing this weekend.

“Judith Leiber spent sixty-five years in the handbag industry, from an apprentice in Budapest to the owner of an internationally renowned handbag company based in New York City. As the only female pattern-maker, and with the unusual ability to make a handbag from start to finish, Leiber brought a distinctly European training and skill set to the United States, where handbags were made with assembly-line skill division. This allowed her not only to succeed as a designer but also to revolutionize the meaning of handbag craftsmanship for the American consumer.

Leiber’s handbags run the gamut from finely crafted leather pieces and textile-based bags to the fantastical Swarovski crystal–encrusted creations for which she is most well known. Inspired by a life-long admiration of art, travel, and opera, Leiber’s bags include Art Deco–influenced hardware; materials such as Lucite and seashells; references to the artwork of Piet Mondrian, Georges Braque, and Sonia Delaunay; and collaboration with Faith Ringgold on a collection of handbags inspired by her quilts.

As Leiber’s reputation flourished, designers and suppliers sought her out, offering interesting materials, particularly textiles. Thus, many of her handbags are constructed with obis from Japan, Parsi ribbons from India, and fabrics from Iran and Africa. From the earliest days of her company, Leiber pushed the boundaries of handbag design—innovation that is epitomized by her famed sparkling minaudières, a technique that began as a solution to a damaged metal frame, and was then catalyzed by the design of her imaginative animal and food clutches to become fashion staples for First Ladies and celebrities alike.”

imageI love this photo of Mrs. Leiber surrounded by a few of her creations.  On one of her visits she was invited to attend a dinner in her honor at the home of one of our very good clients who collected Leiber bags…did I just say the Leiber showroom was like a museum, well I stand corrected, this client’s home was Leiber everywhere in specially designed museum quality cases, it was something out a movie and by the way quite tasteful.  Mrs. Leiber was overwhelmed.  The client, I might add, supplemented her collection, after that dinner, with Mrs. Leiber’s guidance.

imageAnother book to add to your fashion library, lucky me, mine is autographed by the wonderful creator herself!

 

One of my favorite designer stories came from James Galanos.  We were discussing selling many pieces to a single client and he told me that one of the California boutiques that sold his garments, actually bought most of the Collection each season, and that is saying something, had a client who had purchased multiple gowns that particular season and also ordered a Judith Leiber bag to go with each.  He was aghast at the expense.  My comment was “was the client involved with charities” answer, yes, very much so.  “did the client employ staff at her many homes, entertain there, have flowers, chefs, etc.” again, the answer, yes. “did the couple travel”…yes, yes, yes!  My answer to Mr. Galanos “the client is supporting the economy, we are just a small portion of that”.  His answer, “I never thought of it that way, but Nena, you are right!”  Wow, coming from one of the major fashion icons, oh my…  In other words, the people who can afford expensive items, clothes, cars, property, etc. make our economy, I guess that is what capitalism is all about.  Needless to say, I’m not in that category (one can live in hope) but I was lucky to be surrounded by beautiful things in my years in retail and can appreciate quality.

image

Gerson and Judith Leiber in front of the wonderfully talented Gerson’s  paintings.

Information on the Leiber Museum….www.leibermuseum.org

“In 2005, Gerson and Judith Leiber built a gallery to house their works of art and to chronicle their careers, offering an unparalleled retrospective of their creations over the past many decades.

The Leiber Collection, a magnificent Renaissance styled Palladian edifice, sits majestically in a sublime sculpture garden that borders six additional gardens, each designed by Gerson Leiber, in a style befitting the local geography. Considered by many to be the best-kept secret of the Hamptons, you are in for a real treat as you peruse the exquisite jewel of a museum and explore the charming gardens.

Come visit us on Wednesdays, Saturdays, and Sundays from 1 – 4 pm”.

A YouTube video one of several, this a very dramatic life story of a major influencer and unique talent. Mrs. Leiber retired in 1998 having designed over 3,500 handbags!  The company’s current creative director and co-owner is Dee Ocleppo Hilfiger.

For further reading here is a link to the incredible Judith Leiber story in Harper’s Bazaar.

http://www.harpersbazaar.com/culture/features/a17293/judith-leiber-from-holocaust-to-handbag-icon/

image

There are other Judith Leiber fragrances, I chose to feature this one because of its name, love it!imageKarl Lagerfeld with his ever present fan with his then friend Yves Saint Laurent (whose 81st birthday we would have celebrated this week)

imageAnother photo of Karl Lagerfeld with his fan

imageSo much a part of his aesthetic that his fragrance bottle is fan shaped.

imageimageTwo looks from a John Galliano Dior Haute Couture collection.  As you can see fans are every where in every culture and in every era.

All photos from Pinterest credits unknown.

COLLECTIONS: FANS

imageToday’s post on fans was suggested by my BFF, Stephanie Lake, those of you who have followed nenasnotes from the beginning remember the week long postings I did on Stephanie and I call upon her when I am doing my Thursday Collection posts to see if she has anything to contribute, this time she turned the tables on me and got my juices flowing and my post on FANS was born.  In the photo above you see a portion of her collection.  Let’s look at a couple more from her collection with her words talking about fans…

“What else is at once as practical and as extravagant as a fan?    

I keep favorites on my vanity and I am never without one, nor is Odette, who has her own collection and is extremely proud that she can operate folded fan.”

image

imageTwo from Stephanie Lake’s collection.

imageStephanie holding her patriotic fan….

“My interest in fans started with my graduate work; one of my first research papers was titled “Fashions In Flirtation: Fans in Eighteenth-Century Europe.”   In it, I examined fans as “the most mercurial of accessories,” reaching their provocative apogee as a paralanguage of gestures developed during that century.  Manuals for the meaning of each gesture were sold together with the most expensive fans.  Among my favorite quotes is from Art dans la parure et le vetement: “whatever the heat of the climate may be, the fan is above all things . . . a means or motive of gracious movements, under the pretext of agitating the air for the sake of coolness.” 

When curatorial work brought me to Tokyo and Kyoto I was gifted a number of fans of the type associated with Geisha fan dances, which I use the most frequently.   I also inherited a number from Bonnie Cashin, including one on which a beau wrote a love poem and drew a little portrait, including the lines: “Well her second name is Cashin / nd she really is a dashin’ / for her I have a passion / leading to mashin’ / but that is so old fashion.”  The Romance of the fan lives on!”

imageBonnie Cashin’s fan.

imageA bit of flirtation from Stephanie and her adorable daughter, Odette.  Love them!  Thanks so much Stephanie for sharing some of your collection for nenasnotes.  You can find Stephanie at https://www.stephanielakedesign.com/ and her magnificent monograph on Bonnie Cashin, Chic is Where You Find It here:           https://www.amazon.com/Bonnie-Cashin-Chic-Where-Find/dp/0847848051re

This post is going to be all over the place so please forgive me (but quite franking most of my posts do ramble don’t they!!!!!).  Fans have been a part of many cultures, the subject of Haute Couture collections, Japanese dance and art, Impressionists paintings and on and on….let’s look at some of my favorites with a couple from my tiny collection.  I collected fans as a child and they, along with other items were stolen from our Evanston home many, many years ago.  I’m sure they weren’t valuable to anyone but me but no matter, they are long gone.  The two below (I can’t find the fan that was on all the chairs at the 2006 Fall Christian Lacroix Haute Couture collection when the temperature in Paris was in the high 90’s for the two weeks I was there!)

imageThe lace trimmed one I got in New Orleans while attending a Costume Society of America Symposium several years ago, I fell in love with NOLA and treated myself to several souvenirs, I am especially fond of this one.  The black ostrich fan was a gift. Nena’s photo.

Speaking of ostrich feather fans, the first thing that should pop into our minds would be Sally Rand and her infamous fans and her dance at the Century of Progress Fair in Chicago, which, by the way, my parents worked.  Daddy did artwork for some of the Fair’s posters.  Sally’s dance was quite a scandal and the notorious fans are now housed at The Chicago History Museum www.chicagohistory.org and were featured in an exhibition several years ago entitled What George Wore and Sally Didn’t.

imageSally and her fans.

imageDita Von Teese with her exotic plumage.

imageThe cover of the exhibition catalog from The Met’s Dangerous Liaisons 2004 exhibition mounted in the Wrightsman Galleries of 18th-century furniture, it was an extraordinary exhibit, small but mighty in its drama.  As I recall it was the first of the costume exhibitions that have been mounted in spaces throughout the Museum, www.metmuseum.org brilliant as we now know!!!!

image

imageA rather plain fan against an opulent gown.

imageA Japanese print. Check out similiar prints at The Art Institute of Chicago www.artic.edu

imageFan being used in Japanese theater.

A few of the many examples of painting of women with fans…I chose a few of my favorites.imageLa Japonaise by Claude Monet 1876,  Museum of Fine Arts Boston Collection.

imageGirl With Fan 1881 Pierre-Auguste Renoir,  Hermitage Museum.  I saw this when I was in St. Petersberg.  The Impressionists paintings had just started to be exhibited, after decades in storage, and the colors were extraordinary.

imageGustav Klimt Woman with a Fan 1917-1918

imageimage

image

image

image

Some of the fans I liked on Pinterest…photo credits unknown.

imageMy most favorite of all, isn’t it a stunner!

imageFrom Kevin Gorsch’s collection the fan was signed to him by Faye Dunaway when he styled her for an event in Chicago early 2000’s  You get a bonus with Kevin’s silhouette in the photo….you can visit Kevin (you can follow him on Instagram at redleopardcrocodilevintage) and his extraordinary handbag and accessories collection, The Red Leopard Crocodile, in the Ballroom at the monthly Randolph Street Market www.randolphstreetmarket.com

imageYou know it is superb if it is by Valerie Steele!  One to add to your “fashion” book collection!

imageA preview of Friday’s Fashon Flashback post….can you guess who I will be featuring?  I will also continue the fan theme a little bit, so much interesting material.

All photos, unless otherwise noted, are from Pinterest photo credits unknown.

 

 

 

 

COLLECTIONS: MINATURE SHOES

imageMy mini collection of miniature shoes.  They sit on my decoupaged chest that held my Father’s paints.  Interesting that the Elfinware shoes have forget me knots on them and are on a postcard of them, who knew!  Not the world’s best photo but a hard one to capture with my handy dandy iPhone 7!

My collection began many, many years ago with the wooden snuff box given to me by the amazingly talented Beth Levine when she visited Saks Fifth Avenue Chicago with her Beth’s Bootery Collection, which was exclusive to the Store.  You will read her story in tomorrow’s Fashion Flashback post.  She collected these extraordinary boxes and created a shoe, in brown leather with gold detail I adored them, (wish I had a picture to share with you) that I owned and gave to the School of the Art Institute of Chicago Fashion Resource Center, an extraordinary Collection under the supervision of the brilliant Gillion Carrara www.saic.edu

imageA close up of my snuff box.  My photo.

image

imageThe two photos found on Pinterest, credit unknown.  The shoe above is what the front of my actual Beth’s Bootery shoe looked like.  A good look at the slide that opens to reveal the container for your snuff.

image

imageThe two images above are inlaid with mother of pearl.  Pinterest photo credit unknown.

imageIsn’t this a beauty inlaid with silver and the compartment flips up to reveal your snuff!  Pinterest photo credit unknown.

imageMy favorite of all the wooden shoe snuff boxes…isn’t is a wonder, so very tiny with all the intricate carving…I want it!  Pinterest photo credit unknown.

My Mother collected Elfinware and we found many, many pieces at various prices, some quite expensive and others unbelievably “cheap”, all special to Mom and to me, do we see a post in the future…probably!  Made between 1920-1940 in Germany to look like Dresden the items were quite inexpensive (much like Jadelite and Depression Glass when they were introduced) and have become collector’s items.  Be sure to check out the Randolph Street Market www.randolphstreetmarket.com this weekend, July 29 and 30 from 10 to 5, you might find a piece of Elfinware or a shoe collectible or whatever strikes your fancy!

imageI have, over the years, given away several of Mom’s pieces to friends who wanted a token from her collections. My photo.

imageOne of my favorites, a Limoges snuff box, again featuring forget me knots,  Interestingly I don’t have any “shoes” with lily of the valley…I’ll have to look for one!  My photo.

image

I am partial to this piece, it is English porcelain and the largest of the collection.  It has the look of Imari, don’t you agree….a charming manipulation of clay to form the ruffle on what to me looks like a shoe bootie!  My photo.

imageA similar piece found on Pinterest with handpainted flowers.  Photo credit unknown.

imageAs is my custom, here is a book for you to expand your knowledge, if you are so inclined, of the wonderful collectible world of snuff boxes.  What you say, you don’t do snuff, well just think of them as beautiful objects that you can admire, perhaps put your aspirin in one or two of them!  Enjoy….

WEDNESDAY MUSINGS: FAVORITE PINS THIS WEEK: GREEN

image

I became addicted to Pinterest this weekend and found all manner of wondrous images of my all time favorite color…..green!  So why not do a post on all things green. Few words just glorious images like the above collage I prepared for the blog! I will identify my own photos, some may be repeats (sorry!) but mostly they are pins I have saved and don’t have photo credits

imageI adore color samples, here one of Pantone’s green palettes, these are the greens that are the most attractive to me, however, I do love all greens!

The following quote is attributed to the book,  Green: The History of a Color by Michael Pastoureau published by Princeton University Press (one of his series of books on color, I ordered mine immediately from www.amazon.com!!!!) “The color green is fickle, mutable, variously the color of love, youth, irresponsibility, but also madness, debauchery, and the underworld”.  

image

imageFrom Carolyne Roehm www.carolyneroehm.com using an Ikat textile for her table setting, her “eye” is brilliant in all things, whether flowers, gardens or interiors.

imageAnother tablescape from Carolyne Roehm

 

imageI not only love this photo but want everything in it!!!! It is so me!

image

imageimageimage

image

image

I could live in any of these rooms and take inspiration for not only the color and the weathered look of the rooms but all the details large and small.

imageBeautifully detailed tiles.

imageA magnificent garden path leading to a secluded nook.

imageThe entrance to Monet’s home in Giverny

imageA fantastically beautiful solarium….

imageIvy on a brick wall from a weekend in Harbor Country my photo

imageA wood in Indiana my photo

imageI am mad for this capture….an exquisite bird sitting on a fern frond

imageFerns in a Blue Island garden my photo

imageI know I have posted this but it is a beauty with the gold embellished embossed leather binding, you might find something similar at the Newberry Library www.newberry.org Book Sale this week, Thursday through Sunday, July 27 through 30  or at this weekend’s RandolphStreet Market  www.randolphstreetmarket.com Saturday and Sunday.

imageMy all time favorite tree, a weeping redbud in full leaf, also in a Blue Island garden my photo

imageCan you believe this is a cabbage!  It is amazing and HUGE, the shades of an almost metallic green are extraordinary, another shot from my Harbor Country weekend.

imageI know I did this in another post but had to feature it again, John Galliano for Christian Dior Haute Couture Fall 2006 (the Collection I was fortunate to witness!!!!) Vogue photograph

imageA truly spectacular conifer in Harbor Country, my photo.

 

www.randolphstreetmarket.com

www.newberry.org

 

 

 

COLLECTIONS: TERRA COTTA

image

 

imageEach month at the Randolph Street Market www.randolphstreetmarket.com I search for blogging inspiration and I always come across something that entices me.  These pots were no exception!  I found them at the Randolph entrance to RSM at Cosmic Girl Goes Home’s booth along with many other fascinating objects.  The proprietor, Robin Sweeney, doesn’t come every month, she travels from Ohio, but you will be greatly pleased when she is there, I love her ecstatic!  You can find her at her Instagram account @cosmicgirlgoes or on Facebook at cosmic girl goes home.  What I liked about these terra cotta pots is that they are already weathered.  Yes, you can do this yourself or perhaps you have some in your garden shed but if not you are in luck…I love the patina.

imageimageA couple more shots from the booth.  All three photos I took with my iPhone.

image

Let’s look at some ways to use them in the garden or in your home….all the following photos were found on Pinterest photo credits unknown.

image

image

A garden arch of terra cotta pots as well as pots for all the blooms.  I want to live there!

image

imageLove this!

image

imageimage

image

Am I the only person who misses Martha Stewart’s original programs….I simply devoured them and really learned so much.  Perhaps they can be streamed somewhere…can’t you stream everything!!!!  One series she did was with Guy Wolff and it was absolutely fascinating.  Here are a couple of photos of his wonderful work www.guywolff.com.  There are several very interesting Guy Wolff videos on YouTube.

image

image

image

image

imageOf course, I have to share his book….what would nenasnotes be without a book recommendation!!!!

The history of terra cotta (earthenware) takes us to ancient times and could be a very long post, instead, I thought I would briefly bring up Emperor Qin the first Emperor of China’s terra cotta army.  Thousands of the terra cotta soldiers were found buried with the Emperor, each with a different face.  I was mesmerized by them when many of them were on exhibition at the Field Museum last year.  You will want to read the entire story here are two sites to give you lots of information, The Smithsonian Museum Magazine www.smithsonianmag.com has a great article as well as National Geographic www.nationalgeographic.com  Check YouTube for in-depth videos on this unique view of history.

image

image

image

 

No recipe today, don’t have too much I can do with terra cotta, although you could think up something with fresh clean pots….hum, let’s think about that!!!!  Martha where are you when we need you!!!!